| 1 | '''Munjaneya Manju''' |
| 2 | |
| 3 | |
| 4 | 1993 154’ col Kannada |
| 5 | d/co-p P.H. Vishwanath pc Sandesh Combines |
| 6 | p Sandesh Nagaraj, Netravathi S. Nagaraj, |
| 7 | S. Satish sc T.N. Narasimhan dial Kotiganahalli |
| 8 | Ramayya lyr/m Hamsalekha c R. Manjunath |
| 9 | lp Ambarish, Sudharani, Tara, Ashwath, |
| 10 | Ramesh Bhatt, Tennis Krishna, Avinash, |
| 11 | Honavalli Krishna, Anantaram Macheri, |
| 12 | Ramakrishna, Rajendra Singh, Ashalatha, |
| 13 | Kantha Purshottam, Chetana, Manjula, Baby |
| 14 | Sowmya, Baby Kumuda, Baby Netravathi |
| 15 | |
| 16 | |
| 17 | Topical crime thriller wrapped around a |
| 18 | domestic ‘misunderstanding’ melodrama. The |
| 19 | film addresses real estate-related crime (a |
| 20 | controversial subject in post-liberalisation |
| 21 | Bangalore) as represented by a North Indian |
| 22 | villain named Juneja. Madhav (Ambarish), a |
| 23 | lawyer with a mission, makes an enemy of |
| 24 | Juneja when he refuses to take him as a client. |
| 25 | At home, his wife Meera (Sudharani), |
| 26 | pathologically sensitive to disturbing news, |
| 27 | gets Madhav to promise to refuse dangerous |
| 28 | cases. They help Meera’s friend (Tara) by hiring |
| 29 | her for his office, but Meera suspects an affair |
| 30 | and becomes jealous. Eventually, both the |
| 31 | crime story and the domestic story find a joint |
| 32 | resolution. |
| 33 | |
| 34 | [[Film]] |