| 1 | '''Mukta''' |
| 2 | |
| 3 | |
| 4 | aka The Liberated Woman |
| 5 | 1994 154’ col Marathi |
| 6 | d/s Jabbar Patel pc Sarala Pics p Ashok Mhatre |
| 7 | dial Sanjay Pawar lyr N.D. Manohar, Jonaci |
| 8 | Patel c Shankar Bardhan m Anand Modak |
| 9 | lp Sonali Kulkarni, Avinash Narkar, Shriram |
| 10 | Lagoo, Reema Lagoo, Vikram Gokhale, Caleb |
| 11 | Obura Obwatinyka, Madhu Kambikar, Prashant |
| 12 | Subedar |
| 13 | |
| 14 | |
| 15 | Wordy melodrama suggesting a link between |
| 16 | the condition of Dalit ‘untouchable’ castes in |
| 17 | Maharashtra and the lot of African-Americans |
| 18 | (the Dalit Panther movement in 1970s-80s |
| 19 | Maharashtra had expressed support for the |
| 20 | Black Panthers). Mukta (Kulkarni), daughter of |
| 21 | a US-based Marathi poet (Gokhale), returns to |
| 22 | her ancestral village to complete her education. |
| 23 | At university she joins a street theatre group of |
| 24 | Dalit activists and falls in love with the group’s |
| 25 | leader (Narkar). The group attacks |
| 26 | governmental indifference to violence against |
| 27 | Dalit women and Mukta’s participation |
| 28 | severely embarasses her uncle, a State Minister |
| 29 | in the ruling Congress Party. The ‘local’ |
| 30 | problem, posed by Mukta’s Westernised |
| 31 | liberatedness, escalates into a new dimension |
| 32 | when her black American friend (Obwatinyka) |
| 33 | visits her, leading briefly to a love triangle. In |
| 34 | the end, the divides in the family as Mukta’s |
| 35 | parents prefer to split the joint family rather |
| 36 | than curtail her right to decide her own future, |
| 37 | are mapped onto new political allegiences. The |
| 38 | unusual twist in the plot comes when the |
| 39 | American youth accompanies Mukta’s |
| 40 | grandfather (S. Lagoo) on a pilgrimage to |
| 41 | Pandharpur, recalling the Marathi Saint poets’ |
| 42 | struggle against caste inequalities, and sings |
| 43 | black songs while urging the old man to |
| 44 | recognise the intensely contemporary nature of |
| 45 | race and caste discrimination. |
| 46 | |
| 47 | [[Film]] |