| 1 | '''Mohan Joshi Haazir Ho!''' |
| 2 | |
| 3 | |
| 4 | aka A Summons for Mohan Joshi |
| 5 | 1984 123’(130’) col Hindi |
| 6 | d/p/co-st/co-sc/co-dial Saeed Akhtar Mirza |
| 7 | pc Saeed Akhtar Mirza Prod. co-st/co-sc Yusuf |
| 8 | Mehta co-dial Ranjit Kapoor co-st/co-sc Sudhir |
| 9 | Mishra lyr Madhosh Bilgrami c Virendra Saini |
| 10 | m Vanraj Bhatia |
| 11 | lp Naseeruddin Shah, Deepti Naval, Bhisham |
| 12 | Sahni, Dina Pathak, Rohini Hattangadi, Amjad |
| 13 | Khan, Mohan Gokhale, Satish Shah, Pankaj |
| 14 | Kapoor, Arvind Deshpande |
| 15 | |
| 16 | |
| 17 | Mirza’s parody on housing legislation tells of |
| 18 | Mohan Joshi (Sahni, the well-known novelist |
| 19 | and brother of Balraj Sahni in his screen |
| 20 | debut), a retired clerk who lives with his wife |
| 21 | (Pathak) in an old Bombay tenement. Joshi |
| 22 | sues his landlord, the evil property developer |
| 23 | Kundan Kapadia (Khan), which starts a |
| 24 | complicated and expensive legal procedure |
| 25 | conducted by the slick lawyer Malkani |
| 26 | (N. Shah). Eventually Joshi realises that one |
| 27 | cannot win against entrenched economic |
| 28 | powers. In the end, when the judge comes to |
| 29 | see the condition of the building for himself, |
| 30 | Kapadia’s men quickly cover its rickety walls |
| 31 | with a coat of paint and Joshi, unable to control |
| 32 | his anger, goes berserk and demolishes the |
| 33 | place, making it collapse on to his own head. |
| 34 | Mirza’s allegorical approach, using a crudely |
| 35 | Brechtian idea of surface realism, allows him to |
| 36 | cast the noted screen villain Amjad Khan (cf. |
| 37 | Sholay, 1975) as the property developer with |
| 38 | lather dripping from his chin or eating a leg of |
| 39 | mutton. |
| 40 | |
| 41 | [[Film]] |