6 | | Started the Calcutta Amateur Players (CAP) theatre group (1927). Production manager and actor in Prapancha Pash (1929). Married actress Sadhona Bose. Early films produced by Madan Theatres. Made Khyber Falcon for the Punjab Film Corp. in Lahore. Best-known work for Bombay-based Wadia Movietone and Sagar. Developed an influential generic hybrid from Rabindranath Tagore’s ballets (Dahlia) and Khirode Prasad Vidyavinode’s Alibaba, both starring his wife, Sadhona Bose. Made Orientalist song-dance-adventure spectaculars, indigenous variants of British 19th C. Ruritanian comedies (Selima, Kumkum, Raj Nartaki) and several Tagore adaptations. After 1936, when the CAP turned professional, concentrated mainly on stage work, e.g. Niranjan Pal’s Zarina, Manmatha Ray’s The Dreams of Omar Khayyam. Also film biographicals of Girishchandra Ghosh, Michael Madhusudhan Dutt and Swami Vivekananda. Wrote autobiography: Amar Jeeban (1967). |
| 6 | Started the Calcutta Amateur Players (CAP) theatre group (1927). Production manager and actor in [[Prapancha Pash]] (1929). Married actress [[Sadhona Bose]]. Early films produced by Madan Theatres. Made Khyber Falcon for the [[Punjab Film Corp]]. in Lahore. Best-known work for Bombay-based [[Wadia Movietone]] and [[Sagar]]. Developed an influential generic hybrid from [[Rabindranath Tagore]]’s ballets (Dahlia) and Khirode Prasad Vidyavinode’s [[Alibaba]], both starring his wife, [[Sadhona Bose]]. Made Orientalist song-dance-adventure spectaculars, indigenous variants of British 19th C. Ruritanian comedies (Selima, [[Kumkum]], [[Raj Nartaki]]) and several Tagore adaptations. After 1936, when the CAP turned professional, concentrated mainly on stage work, e.g. [[Niranjan Pal]]’s Zarina, Manmatha Ray’s The Dreams of Omar Khayyam. Also film biographicals of Girishchandra Ghosh, Michael Madhusudhan Dutt and Swami Vivekananda. Wrote autobiography: Amar Jeeban (1967). |