Changes between Version 4 and Version 5 of Mithun Chakraborty

Timestamp:

Mar 2, 2012, 4:29:39 AM (12 years ago)

Author:

Lawrence Liang

Comment:

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Mithun Chakraborty

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 [[Image(Mithun Chakraborthy.jpg)]]
 
-Bengali-Hindi actor. Major hits B. Subhash’s Disco Dancer and Dance Dance earned him a major following in India and abroad, esp. in the USSR. Early work in realist ‘political’ films, e.g. Mrigaya, The Naxalites and Hum Paanch. Later achieved a brand image with gangland thrillers, indigenous Westerns and love stories for mid-level producers like Raveekant Nagaich, offering cheaper variants of what Bachchan was doing in the top bracket. Late 80s marketing strategies often cast him alongside Bachchan, playing second lead (Manmohan Desai’s Ganga Jamuna Saraswati, Mukul Anand’s Agneepath). Regarded in the late 80s as the ‘safest’ investment in Hindi cinema, although he had no major hits until Vijay Sadanah’s Pyar Jhukta Nahin, because he appealed to the semi-urban and rural audiences which sustained long-term distribution. Changed his image in Buddhadev Dasgupta’s Tahader Katha to win the national acting award.
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+Mithun Chakraborty (Bengali: মিঠুন চক্রবর্তী Miṭhun Chôkroborti, born as Gouranga Chakraborty on June 16, 1947) is an Indian film actor, social activist, and entrepreneur, who has won three National Film Awards. He made his acting debut with the arthouse drama Mrigaya (1976), for which he won his first National Film Award for Best Actor.
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+ Major hits B. Subhash’s Disco Dancer and Dance Dance earned him a major following in India and abroad, esp. in the USSR. Early work in realist ‘political’ films, e.g. Mrigaya, The Naxalites and Hum Paanch. Later achieved a brand image with gangland thrillers, indigenous Westerns and love stories for mid-level producers like Raveekant Nagaich, offering cheaper variants of what Bachchan was doing in the top bracket. Late 80s marketing strategies often cast him alongside Bachchan, playing second lead (Manmohan Desai’s Ganga Jamuna Saraswati, Mukul Anand’s Agneepath). Regarded in the late 80s as the ‘safest’ investment in Hindi cinema, although he had no major hits until Vijay Sadanah’s Pyar Jhukta Nahin, because he appealed to the semi-urban and rural audiences which sustained long-term distribution. Changed his image in Buddhadev Dasgupta’s Tahader Katha to win the national acting award.