| 1 | '''Meleparambil Aanveedu''' |
| 2 | |
| 3 | |
| 4 | 1993 160’ col Malayalam |
| 5 | d Rajasenan pc Okay Prod. p Mani C. Kalpan |
| 6 | st/co-lyr Girish Puthencheri sc/dial Reghunath |
| 7 | Paleri co-lyr I.S. Kundoor, Kavinjar Kalidasan |
| 8 | c Anandakuttan m Johnson |
| 9 | lp Jayaram, Shobhana, Narendra Prasad, |
| 10 | Jagathi Srikumar, Vijayaraghavan, Janardhanan, |
| 11 | Meena |
| 12 | |
| 13 | |
| 14 | Meneparambil is a feudal peasant family |
| 15 | consisting mainly of bachelor males committed |
| 16 | to their caste identity. The only woman in the |
| 17 | house is their ageing mother who laments the |
| 18 | absence of decent female help in the kitchen. |
| 19 | The two eldest sons, as well as an uncle, all |
| 20 | bachelors ‘past their prime’, keep up |
| 21 | appearances while awaiting suitably acceptable |
| 22 | marriages. Youngest son Harikrishen (Jayaram) |
| 23 | goes to Tamil Nadu for a job, falls for Pavizham |
| 24 | (Shobhana) and marries her. When he brings |
| 25 | her home, he seeks to avoid problems with |
| 26 | caste difference by introducing her as a maid |
| 27 | servant he brought from Pollanchi to help his |
| 28 | mother. Several sequences follow, which are |
| 29 | meant to be funny, showing all the men in the |
| 30 | family turning into sexual predators. |
| 31 | Eventually, when she has endeared herself to |
| 32 | the family, a kidnap and rescue drama enables |
| 33 | the truth to be told and ensures the happy |
| 34 | ending. |
| 35 | |
| 36 | [[Film]] |