| 1 | '''Maya Miriga''' |
| 2 | |
| 3 | |
| 4 | aka Maya Mriga aka The Mirage |
| 5 | 1983 115’ col Oriya |
| 6 | d/sc/co-st Nirad N. Mahapatra pc Lotus Prod. |
| 7 | co-st/dial Bibhuti Patnaik c Rajagopal Mishra |
| 8 | m Bhaskar Chandavarkar |
| 9 | lp Bansidhar Satpathy, Manimala, Binod |
| 10 | Mishra, Manaswini, Sampad Mahapatra, Sujata, |
| 11 | Vivekananda Satpathy, Kishori Debi, |
| 12 | Managaraj, Shriranjan Mohanty, Kunumuni, |
| 13 | Tikina |
| 14 | |
| 15 | |
| 16 | FTII-graduate Mahapatra’s low-key first |
| 17 | feature, shot on 16mm with non-professional |
| 18 | actors in Puri, a small coastal town in Orissa. |
| 19 | The plot concerns the break-up of a middleclass |
| 20 | extended family. The former freedom |
| 21 | fighter Raj Kishore (Satpathy), now an elderly |
| 22 | school headmaster, lives with his four sons and |
| 23 | only daughter. The eldest son Tuku (Mishra) |
| 24 | and his wife Prabha (Manaswini) are expected |
| 25 | to help pay for the education of the younger |
| 26 | siblings while the second son Tutu (Mahapatra) |
| 27 | marries a well-off woman (Sujata) who insists |
| 28 | on a separate household. In the end, Tuku |
| 29 | refuses to keep shouldering the burdens of the |
| 30 | extended family and the unit disintegrates. The |
| 31 | director, a noted teacher and writer of film |
| 32 | theory, acknowledges the influence of Yasujiro |
| 33 | Ozu’s editing style. |
| 34 | |
| 35 | [[Film]] |