| 1 | '''Manik Raitong''' |
| 2 | |
| 3 | |
| 4 | aka Manik the Miserable |
| 5 | 1984 149’ col Khasi |
| 6 | d/sc Ardhendu Bhattacharya p/st Rishan |
| 7 | Rapseng pc Neo Cine Prod. dial Humphrey |
| 8 | Blaah lyr Skendrowel Syiemlih c Bijoy Anand |
| 9 | Sabharwal m Kazu Matsui |
| 10 | lp William Rynjhah, Sheba Diengdoh, Gilbert |
| 11 | Synnah, Veronica Nongbet, Benjamin |
| 12 | Khongnor, Diamond Matthew |
| 13 | |
| 14 | |
| 15 | Documentarist Bhattacharya’s feature debut is |
| 16 | the first film in the North-Eastern language of |
| 17 | Khasi. It is a folk-tale about a poor man, Manik, |
| 18 | and his beloved Lieng who is forced to marry |
| 19 | the tribal chief Syiem. She refuses to live with |
| 20 | her husband and at one time has a sexual |
| 21 | encounter with Manik which leaves her |
| 22 | pregnant. She raises the child, but her lover is |
| 23 | condemned to death. She jumps into Manik’s |
| 24 | funeral pyre and dies with him. Reputed to be |
| 25 | one of Meghalaya’s most ancient legends, |
| 26 | relating to the origins of the region when seven |
| 27 | of the sixteen families with privileged access to |
| 28 | heaven decide to live on earth. In spite of some |
| 29 | awkward acting, the film evokes the sad |
| 30 | fatalism of marginalised people’s folk idiom in |
| 31 | India. |
| 32 | |
| 33 | [[Film]] |