| 1 | Mammo |
| 2 | 1994 124’ col Hindi |
| 3 | d Shyam Benegal pc NFDC st/co-sc Khalid |
| 4 | Mohamed co-sc Shama Zaidi dial Javed |
| 5 | Siddiqui lyr Gulzar c Prasann Jain m Vanraj |
| 6 | Bhatia |
| 7 | lp Farida Jalal, Surekha Sikri, Amit Phalke, |
| 8 | Himani Shivpuri, Rajit Kapoor |
| 9 | |
| 10 | |
| 11 | Benegal’s melodrama addresses the condition |
| 12 | of Muslim refugees in Bombay, an issue made |
| 13 | relevant by the Hindu Shiv Sena’s attacks on |
| 14 | minorities in the city as alleged ‘Pakistanis’. |
| 15 | Mammo, aka Mahmood Begum (Jalal), arrives |
| 16 | in Bombay unannounced to stay with her sister |
| 17 | Fayyazi (Sikri) and the latter’s orphaned |
| 18 | grandson Riyaz (Phalke). She was evicted from |
| 19 | her marital home in Lahore after her husband’s |
| 20 | death. Arriving on a temporary visitor’s visa, |
| 21 | she tries legally as well as through bribery to |
| 22 | convert the visa into one enabling permanent |
| 23 | residence, asserting her right to stay on as an |
| 24 | Indian national. The story is told through the |
| 25 | eyes of Riyaz, who initially resents her arrival in |
| 26 | their cramped Bombay flat. Mammo is |
| 27 | deported, but returns in the end, hopefully for |
| 28 | good. |
| 29 | |
| 30 | |
| 31 | [[Film]] |