| 1 | '''Maharashtra Film Company''' |
| 2 | |
| 3 | |
| 4 | Set up in 1918 by Baburao Painter in |
| 5 | Kolhapur with a home-made camera, initial |
| 6 | capital of Rs 15,000 from Tanibai Kagalkar and |
| 7 | a dedicated team of disciples. Their first |
| 8 | successful production was Sairandhri (1920), |
| 9 | eliciting praise from B.G. Tilak. Sardar Nesrikar |
| 10 | persuaded the Shahu Maharaj to give him land, |
| 11 | an electric generator and equipment. A |
| 12 | contemporary of Phalke’s Hindustan Film, |
| 13 | Maharashtra Film made a greater impact on the |
| 14 | Marathi cinema with the first films of V. |
| 15 | Shantaram (Netaji Palkar, 1927), Damle- |
| 16 | Fattelal (Maharathi Karna, 1928) and Bhalji |
| 17 | Pendharkar (Rani Rupmati, 1931). After 26 |
| 18 | films, the studio lost Shantaram, Damle, Fattelal |
| 19 | and Baburao Pendharkar who set up |
| 20 | Prabhat in 1929. Painter left in 1930 and joined |
| 21 | Shalini Cinetone, set up for him by the |
| 22 | Kolhapur royal family. The company closed in |
| 23 | 1932 after some expensive disasters: Moti |
| 24 | Gidwani’s Nisha Sundari (1929) and Baburao |
| 25 | Patel’s Kismet (1932). |
| 26 | |
| 27 | [[Studio]] |