| 1 | '''Madathu Thekepattu Vasudevan Nair (b. 1934) |
| 2 | ''' |
| 3 | |
| 4 | |
| 5 | Malayalam director born in Kodaloor, Kerala. |
| 6 | Major Malayalam novelist and scenarist. His |
| 7 | first major novel, Nalukettu (1958), contributed |
| 8 | to the renewal of a literary tradition initiated by |
| 9 | Thakazhy Shivashankar Pillai, Basheer and |
| 10 | Uroob in the 50s. Sub-editor of the influential |
| 11 | literary journal Mathrubhoomi (1956); later its |
| 12 | editor (1968-81). Best-known writing addresses |
| 13 | the tensions, incarnated by a central character, |
| 14 | between traditional family structures in the |
| 15 | declining feudal system of the Tharavad (non- |
| 16 | Brahminic matrilineal castes) and economic |
| 17 | development (e.g. Appunni in Nalukettu, 1958, |
| 18 | Govindakutty in Asuravithu, 1962, or Sethu in |
| 19 | Kalam, 1969). The melodrama of feudal |
| 20 | nostalgia, ambivalently presented, had a major |
| 21 | influence on 70s Malayalam cinema (e.g. |
| 22 | Vincent and Sethumadhavan) and was one |
| 23 | of the major forces behind the P.N. Menon/ |
| 24 | P.A. Backer breakthrough into realist cinema |
| 25 | with Olavum Theeravum (1969). First film as |
| 26 | director, Nirmalayam, is an influential |
| 27 | contribution to the ‘literary’ version of 70s New |
| 28 | Indian Cinema. He directed only four more |
| 29 | films, all based on his own stories. Currently |
| 30 | top Malayalam scenarist with independent star |
| 31 | status. Script credits include Murappennu |
| 32 | (1965), Nagarame Nandi (1967) and |
| 33 | Asuravithu (1968) for Vincent; S.S. Rajan’s |
| 34 | Pagal Kinavu (1966); Bhaskaran’s Irutinte |
| 35 | Atmavu (1967); P.N. Menon’s Kuttiyedathi |
| 36 | (1971); Sethumadhavan’s Kanyakumari (1974) |
| 37 | and Oppol (1980). Scripted Hariharan’s |
| 38 | Edavazhiyile Pucha Mindappucha (1979), |
| 39 | Valarthu Mrugangal (1981), Evedayo Oru |
| 40 | Sathru (1983), Vellom (1984), Panchagni |
| 41 | (1986), Nakhakshathangal (1986), Amritam |
| 42 | Gamaya (1987) and Oru Vadakkan |
| 43 | Veeragatha (1989). Also wrote several films |
| 44 | for I.V. Sasi including Aroodam (1983), |
| 45 | Alkoottathil Thaniye (1984), Adiyozhukkukal |
| 46 | (1984), Uyyarangalil (1984); and Prathap |
| 47 | Pothan’s Ruthubhedam (1987), Recently |
| 48 | returned to directing with Kadavu. Aravindan |
| 49 | Vallachira (1991) has a book-length analysis of |
| 50 | his films. |
| 51 | |
| 52 | |
| 53 | '''FILMOGRAPHY:''' 1973: Nirmalayam; 1977: |
| 54 | Mohini Attam (Doc); 1978: Bandhanam; |
| 55 | 1982: Manju; Varikkuzhi; 1991: Kadavu |
| 56 | |
| 57 | [[Director]] |