| 1 | '''Love and God''' |
| 2 | |
| 3 | |
| 4 | 1986 141’ col Urdu |
| 5 | d K. Asif p K.C. Bokadia, Akhtar Asif s Wajahat |
| 6 | Mirza lyr Kumar Barabankvi, Asad Bhopali |
| 7 | c R.D. Mathur m Naushad |
| 8 | lp Nimmi, Sanjeev Kumar, Simi Garewal, |
| 9 | Jayant, Agha, Nasir Hussain, Pran |
| 10 | |
| 11 | |
| 12 | This often-filmed Arab love legend of Laila and |
| 13 | her lover, released in 1986, could have been |
| 14 | Asif’s most formally ambitious film had it been |
| 15 | completed during his lifetime. As with his |
| 16 | Mughal-e-Azam (1960) and in keeping with |
| 17 | his grandiose film style, it was in the making |
| 18 | for over a decade. When Guru Dutt, who |
| 19 | played the lead, died in 1964, the film had to |
| 20 | be reshot with Sanjeev Kumar in the lead. |
| 21 | When the director died as well, the film was |
| 22 | abandoned, then revived by his widow, Akhtar |
| 23 | Asif, and finally released in incomplete form. |
| 24 | The composer Naushad contributes songs such |
| 25 | as Hame kuch raahein khuda de de, Yeh |
| 26 | nadanon ki duniya hai yeh diwanon ki mehfil |
| 27 | hai. Cameraman R.D. Mathur, formerly of |
| 28 | Bombay Talkies, developed his baroque style |
| 29 | almost exclusively for Asif’s period epics: his |
| 30 | camera moves over elaborate desert vistas and |
| 31 | complicated sets, including a bravura tracking |
| 32 | crane shot lasting almost ten minutes when |
| 33 | Qais is rejected by Laila and leaves, the whole |
| 34 | town turning out to witness his departure. |
| 35 | |
| 36 | [[Film]] |