| 1 | '''Khuda Gawah''' |
| 2 | |
| 3 | |
| 4 | 1992 193’ col/scope Hindi |
| 5 | d Mukul S. Anand pc Glamour Films |
| 6 | s/co-dial Santosh Saroj co-dial Rajkumar Bedi |
| 7 | lyr Anand Bakshi c W.B. Rao m Laxmikant- |
| 8 | Pyarelal |
| 9 | lp Amitabh Bachchan, Sridevi, Danny |
| 10 | Denzongpa, Nagarjuna, Vikram Gokhale, |
| 11 | Shilpa Shirodkar, Kiran Kumar |
| 12 | |
| 13 | |
| 14 | Bachchan and the successful team that had |
| 15 | made Hum (1991) went on to make this film |
| 16 | which starts in an unspecified period in tribal |
| 17 | Afghanistan. The hero Badshah Khan |
| 18 | (Bachchan) goes to India to avenge the killing |
| 19 | of heroine Benazir’s (Sridevi) father. He does |
| 20 | so, but in the process becomes involved in an |
| 21 | honour pact with a Rajput police officer |
| 22 | (Gokhale), which eventually forces Badshah to |
| 23 | take responsibility for the cop’s death when the |
| 24 | latter is murdered by a drug-smuggling bandit |
| 25 | (Kumar). Later, when an old Badshah is |
| 26 | released from jail, his daughter, whom he has |
| 27 | never seen, has grown into a second Benazir |
| 28 | (Sridevi again), forcing Badshah to come to |
| 29 | terms with his past. He overwhelms the |
| 30 | narcotics bandit with the help of two young |
| 31 | police officers (Nagarjuna and Shirodkar) who |
| 32 | are more or less his wards by virtue of the old |
| 33 | honour pact. Badshah’s action also reconciles |
| 34 | him with his by-now nearly demented wife |
| 35 | Benazir. The complicated plot is told via an |
| 36 | extravagant camera style including numerous |
| 37 | shots, often from a helicopter, of deserts and |
| 38 | mountain vistas. The film is dedicated to |
| 39 | Manmohan Desai. |
| 40 | |
| 41 | [[Film]] |