| 1 | '''Khaidi No. 786''' |
| 2 | |
| 3 | |
| 4 | 1988 ? col Telugu |
| 5 | d/sc Vijaya Bapineedu pc Shyam Prasad Arts |
| 6 | p Maganti Ravindranath Choudhury st Shyam |
| 7 | Prasad Arts Unit dial G. Satyamurthy lyr Veturi |
| 8 | Sundara Ramamurthy, Bhuvana Chandra |
| 9 | c H. Loksingh m Raj-Koti |
| 10 | lp Chiranjeevi, Bhanupriya, Satyanarayana, |
| 11 | Nutan Prasad, Kota Srinivasa Rao, Mohan |
| 12 | Babu, Nirmala, Allu Ramalingaiah, Smita |
| 13 | |
| 14 | |
| 15 | Gopi (Chiranjeevi), orphaned when his parents |
| 16 | were killed by a maternal Uncle, Suryachandra |
| 17 | Rao (Rao), becomes a police constable. He |
| 18 | quits his job to assault a cruel cop who abuses |
| 19 | a poor, hunger-striking teacher. Accused of |
| 20 | trying to rape the villain’s arrogant, city-bred |
| 21 | daughter Radha (Bhanupriya), who whips him |
| 22 | in public, he forces her to marry him in order |
| 23 | to teach her a lesson (cf. Alluda Majaaka, |
| 24 | 1995, for the common theme of ‘marriage as |
| 25 | punishment’ for a woman). Having ‘tamed’ her, |
| 26 | he is next framed for a murder, another |
| 27 | common narrative device in Chiranjeevi films. |
| 28 | In the latter story, the corrupt cop Achaiah |
| 29 | (Babu) feeds the villain to crocodiles to |
| 30 | forestall a confession. The hero is eventually |
| 31 | freed when the police overhear Achaiah |
| 32 | boasting about his deeds. |
| 33 | |
| 34 | [[Film]] |