Changes between Version 1 and Version 2 of Kehav Narayan Kale

Timestamp:

Jul 3, 2013, 7:54:07 AM (11 years ago)

Author:

UshaR

Comment:

--

Kehav Narayan Kale

@@ -9 +9 @@
 Ratnakar, Yashwant and Pratibha. Co-founded
 vanguard theatre group Natyamanwantar (cf.
-Date and Bhole) in 1933, claiming influence of
+[[Date]] and [[Bhole]]) in 1933, claiming influence of
 Ibsen, Shaw and Stanislavski (whose
 theoretical writings he translated into Marathi).
@@ -16 +16 @@
 theory in Marathi theatre and sought to rewrite
 its history in terms of acting and emotionality.
-Joined cinema as actor (1926) with S.N.
-Patankar, later worked at Imperial and
-Ranjit Studios. Left cinema to study law (1931-
+Joined cinema as actor (1926) with 
+[[S.N.Patankar]], later worked at Imperial and
+[[Ranjit Studios]]. Left cinema to study law (1931-
 4). Hired as scenarist for Prabhat (1934).
-Wrote dialogue and lyrics for Dharmatma,
+Wrote dialogue and lyrics for [[Dharmatma]],
 giving this Saint film a political thrust by
 drawing analogies between Sant Eknath and
 Gandhi and by deflecting the mandatory
 miracle scenes towards more social concerns.
-Provided the lyrics for Chandrasena and the
-script for Amar Jyoti. Turned director at
+Provided the lyrics for [[Chandrasena]] and the
+script for [[Amar Jyoti]]. Turned director at
 Prabhat in 1937 and made best-known film
-Mazha Mulga as fictional autobiography
+[[Mazha Mulga]] as fictional autobiography
 about the struggles of a young radical writer.
-Worked with humourist P.K. Atre and filmed
-two of his screenplays (Lapandav,
+Worked with humourist [[P.K. Atre]] and filmed
+two of his screenplays ([[Lapandav]],
 Baeelweda). Devoted himself to the theatre
 (1943-53) before making more films. Published
@@ -37 +37 @@
 theory and a volume of poetry,
 Sahakarmanjari (1932). First Professor of Film
-Appreciation at the FTII in early 60s. Worked
+Appreciation at the [[FTII]] in early 60s. Worked
 on the Marathi journal, Sahitya Patrika.