| 1 | '''Kazhakam''' |
| 2 | |
| 3 | |
| 4 | 1995 95’ col Malayalam |
| 5 | d/co-s M.P. Sukumaran Nair pc Rachana Films |
| 6 | p T.N. Sukumaran co-s M. Sukumaran |
| 7 | c Ashwini Kaul m Jerry Amaldev, Kaithapram |
| 8 | lp Urvashi, Nedumudi Venu, P.C. Soman, |
| 9 | Valsala Menon, Ravi Vallathol, Kukku |
| 10 | Parameshwaran, Mullanezhi, Mukundan, |
| 11 | Master Mohan |
| 12 | |
| 13 | |
| 14 | Nair, having worked with Gopalakrishnan, |
| 15 | returns to the mother-son relationship |
| 16 | adumbrated in his first feature Aparahnam |
| 17 | (1990), with this bitterly ironic tale of a |
| 18 | woman’s religious mania, a variation on the |
| 19 | theme of Radha and Krishna. The poor villager |
| 20 | Radha (Urvashi) becomes unbalanced with |
| 21 | grief when her husband and son die. Going to |
| 22 | live with her mother (Menon), the two women |
| 23 | derive some income from pilgrims visiting the |
| 24 | local temple, an institution representing a |
| 25 | complex knot of contradictory currents: |
| 26 | indolence and moral corruption in the shape of |
| 27 | its guardians (Venu, Mullanezhi) as well as |
| 28 | traditional ideologies while remaining an |
| 29 | important conduit for contact with outsiders. |
| 30 | When the teacher Nandini (Parameshwaran) |
| 31 | arrives to visit the temple with her young son |
| 32 | Kannan (Mohan), the distraught Radha latches |
| 33 | on to the son imagining him to be Krishna. |
| 34 | When Kannan falls ill and dies, Radha’s |
| 35 | delusional mania, the only source available to |
| 36 | her in an impossibly constricted and oppressed |
| 37 | situation, overwhelms her. |
| 38 | |
| 39 | [[Film]] |