| 1 | '''Kamalathalam''' |
| 2 | |
| 3 | |
| 4 | 1992 154’ col Malayalam |
| 5 | d Sibi Malayil pc Pranavam Arts |
| 6 | s A.K. Lohitadas lyr Kaithapram |
| 7 | c Anandakuttan m Ravindran |
| 8 | lp Mohanlal, Monisha, Parvathi, Vineeth, |
| 9 | Nedumudi Venu |
| 10 | |
| 11 | |
| 12 | Nandagopal (Mohanlal) is a respected dance |
| 13 | teacher at the Kerala Kala Mandiram (alluding |
| 14 | to the famed Kalamandalam repertory which |
| 15 | performs Kerala’s temple arts). However, his |
| 16 | wife (Parvathi) commits suicide, causing the |
| 17 | hero to turn into an alcoholic and compulsive |
| 18 | rule-breaker. He is suspected of having killed |
| 19 | his wife and is suspended from his job for |
| 20 | drunken misbehaviour. The new secretary of |
| 21 | the institute (Venu) wants him to be sacked, |
| 22 | but his former reputation gives him a reprieve. |
| 23 | He trains the talented student Malavika |
| 24 | (Monisha) to perform in his ambitious |
| 25 | composition of the Sita Kalyanam, but her |
| 26 | jealous young lover (Vineeth) poisons him. The |
| 27 | predictable ending sees Nandagopal reuniting |
| 28 | with his wife in death. The film continues the |
| 29 | well-known Lohitadas-Malayil team’s neotraditional |
| 30 | musicals for Mohanlal’s production |
| 31 | outfit, but lacks the taut storylines of its |
| 32 | predecessors (His Highness Abdullah, 1990; |
| 33 | Bharatham, 1991). It also continues |
| 34 | Mohanlal’s endeavours to display the full range |
| 35 | of his talents as he performs Bharata Natyam |
| 36 | dance. |
| 37 | |
| 38 | [[Film]] |