| 10 | | musical arrangements for some of [[Kazi Nazrul Islam|Kazi Nazrul Islam]]’s compositions. His use of orchestration typifies the Nazrul gharana, which he helped popularise in the early years of the gramophone industry. Along with [[Anupam Ghatak]] and Anil Bagchi, one of the most popular composers in the interwar years. Worked with [[Barua]] (e.g. [[Shesh Uttar]]/[[Jawab]], Pehchan) and extensively with [[Niren Lahiri]] ([[Garmil]], Jayjatra). Also scored [[Modhu Bose]]’s Baraley Bandhu; 1961; Sathi Hara. [[Tagore]]-derived Giribala. Worked with [[Sagar]] directors [[Luhar]] (Bindiya) and [[Badami]] (Manmani) and later with Pranab Roy, also producing Roy’s Prarthana. Later years in Bangladesh where he married the singer Feroza Begum. |
| | 10 | musical arrangements for some of [[Kazi Nazrul Islam]]’s compositions. His use of orchestration typifies the Nazrul gharana, which he helped popularise in the early years of the gramophone industry. Along with [[Anupam Ghatak]] and Anil Bagchi, one of the most popular composers in the interwar years. Worked with [[Barua]] (e.g. [[Shesh Uttar]]/[[Jawab]], Pehchan) and extensively with [[Niren Lahiri]] ([[Garmil]], Jayjatra). Also scored [[Modhu Bose]]’s Baraley Bandhu; 1961; Sathi Hara. [[Tagore]]-derived Giribala. Worked with [[Sagar]] directors [[Luhar]] (Bindiya) and [[Badami]] (Manmani) and later with Pranab Roy, also producing Roy’s Prarthana. Later years in Bangladesh where he married the singer Feroza Begum. |