Changes between Version 2 and Version 3 of Kamal Dasgupta

Timestamp:

Jun 27, 2013, 8:31:42 AM (11 years ago)

Author:

UshaR

Comment:

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Kamal Dasgupta

@@ -8 +8 @@
 when his music was performed by the popular
 singer Juthika Roy and provided the definitive
-musical arrangements for some of [[Kazi Nazrul Islam]]’s compositions. His use of orchestration typifies the Nazrul gharana, which he helped popularise in the early years of the gramophone industry. Along with [[Anupam Ghatak]] and Anil Bagchi, one of the most popular composers in the interwar years. Worked with [[Barua]] (e.g. [[Shesh Uttar]]/[[Jawab]], Pehchan) and extensively with [[Niren Lahiri]]  ([[Garmil]], Jayjatra). Also scored [[Modhu Bose]]’s Baraley Bandhu; 1961; Sathi Hara.   [[Tagore]]-derived Giribala. Worked with [[Sagar]] directors [[Luhar]] (Bindiya) and [[Badami]] (Manmani) and later with Pranab Roy, also producing Roy’s Prarthana. Later years in Bangladesh where he married the singer Feroza Begum.
+musical arrangements for some of [[Kazi Nazrul Islam|Kazi Nazrul Islam]]’s compositions. His use of orchestration typifies the Nazrul gharana, which he helped popularise in the early years of the gramophone industry. Along with [[Anupam Ghatak]] and Anil Bagchi, one of the most popular composers in the interwar years. Worked with [[Barua]] (e.g. [[Shesh Uttar]]/[[Jawab]], Pehchan) and extensively with [[Niren Lahiri]]  ([[Garmil]], Jayjatra). Also scored [[Modhu Bose]]’s Baraley Bandhu; 1961; Sathi Hara.   [[Tagore]]-derived Giribala. Worked with [[Sagar]] directors [[Luhar]] (Bindiya) and [[Badami]] (Manmani) and later with Pranab Roy, also producing Roy’s Prarthana. Later years in Bangladesh where he married the singer Feroza Begum.
 
 
@@ -18 +18 @@
 
 [[Music]]
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