| 1 | '''Kalki (1899-1954)''' |
| 2 | |
| 3 | |
| 4 | Pen name of the noted Tamil novelist R. |
| 5 | Krishnamurthy. Left school to join Gandhi’s |
| 6 | non-co-operation agitations (1921) and was |
| 7 | jailed several times by the British. Journalist for |
| 8 | Navashakti, then for the famous Ananda |
| 9 | Vikatan owned by S.S. Vasan, where he |
| 10 | published some of his best-known stories. |
| 11 | Scripted K. Subramanyam’s seminal |
| 12 | Thyagabhoomi (1939), simultaneously |
| 13 | publishing a novelised version in Ananda |
| 14 | Vikatan with stills of the film and a racy text |
| 15 | about ‘a thwarted woman dishing it back to her |
| 16 | husband in later years’ (C.S. Lakshmi, 1984). |
| 17 | His many contributions to the journal and to |
| 18 | his own periodical, Kalki, are mainly reformist |
| 19 | stories and Walter Scott-type historicals, largely |
| 20 | determining the iconography of Gemini’s |
| 21 | historicals. Apparently, M.S. Subbulakshmi |
| 22 | used her earnings from Savithri (1941) to |
| 23 | finance Kalki. Several of his novels were |
| 24 | filmed, e.g. Kalvanin Kadhali (1955), |
| 25 | Ponvayal (1954) and Parthiban Kanavu |
| 26 | (1960). As a popular lyricist, he wrote songs for |
| 27 | M.S. Subbulakshmi in Duncan’s Meera |
| 28 | (1945), including the song Katrinile varum |
| 29 | geetham. Together with writers of the famous |
| 30 | Manikodi group (e.g. B.S. Ramaiah) and with |
| 31 | director K. Subramanyam, Kalki is one of the |
| 32 | pro-Congress film people in the pre-DMK Film |
| 33 | period to call for a more responsible attitude to |
| 34 | film and to draw attention to the medium’s |
| 35 | political potential. His reviews of early Tamil |
| 36 | films are collected in his book Kalaichelvam |
| 37 | (1956). |
| 38 | |
| 39 | [[Writer]] |