| 1 | Kahini |
| 2 | 1995 105’ col Bengali |
| 3 | d/p/co-st Malay Bhattacharya pc Movie Mill |
| 4 | co-p Chandramala Bhattacharya co-sc Shyamal |
| 5 | c Sunny Joseph m Debajyoti Mishra |
| 6 | lp Dhritiman Chatterjee, Debesh Roy |
| 7 | Choudhury, Debashish Goswami, Robi |
| 8 | Ghosh, Anuradha Ghatak, Suranjana |
| 9 | Dasgupta, Soumomoy Bakshi, Neelkantha |
| 10 | Sengupta |
| 11 | |
| 12 | |
| 13 | Innovative debut feature by the TV producer |
| 14 | and designer Bhattacharya in the tradition of |
| 15 | Chakraborty’s Kaal Abhirati (1989) and |
| 16 | Vishwanathan’s Sunya Theke Suru (1993). |
| 17 | The story, told with a very sparse soundtrack, |
| 18 | revolves around three characters, a kind of |
| 19 | intellectual (Chatterjee), a taxi driver and a |
| 20 | billboard painter, who drug and kidnap a child |
| 21 | (hanging on to a notion of childhood) and set |
| 22 | out for the countryside in their blue |
| 23 | Ambassador car, initiating India’s first explicit |
| 24 | attempt at a road movie. The genre’s obligatory |
| 25 | quota of ‘strange encounters’ demarcate two |
| 26 | major sequences: a villager who has poisoned |
| 27 | his entire family and is caught before he can |
| 28 | commit suicide, and the monologue of a petrol |
| 29 | station attendant. The kidnappers shelter in an |
| 30 | old house where they unsuccessfully try to |
| 31 | revive the unconscious infant, which dies, |
| 32 | causing the trio to disintegrate. A parallel |
| 33 | theme deals with a peasant family blissfully |
| 34 | optimistic about finding a cure for their |
| 35 | crippled son. The film ends with the acrobatic |
| 36 | rehearsals, in the rain, of a travelling circus |
| 37 | group introduced earlier as a kind of choral |
| 38 | motif. |
| 39 | |
| 40 | [[Film]] |