| 1 | '''Kadhalan''' |
| 2 | |
| 3 | |
| 4 | 1994 168’ col/scope Tamil |
| 5 | d/s/co-lyr Shankar pc A.R.S. Films |
| 6 | p K.T. Kunjumon dial Balakumaran |
| 7 | lyr Vairamuthu, Vali c Jeeva m A.R. Rehman |
| 8 | lp Prabhu Deva, Naghma, Girish Karnad, |
| 9 | Vadivelu, Raghuvaran, S.P. Balasubramanyam |
| 10 | |
| 11 | |
| 12 | Tamil megahit and trendsetter continuing the |
| 13 | 90s phenomenon of big budget musicals, |
| 14 | associated mainly with composer Rehman, |
| 15 | reaching an audience far exceeding the |
| 16 | traditional scope of ‘regional’ cinemas. The film |
| 17 | established the breakdancing Prabhu Deva, |
| 18 | known until then mainly as a choreographer |
| 19 | (e.g. the Rukmini song in Roja, 1992). He |
| 20 | plays Prabhu, the son of a policeman |
| 21 | (Balasubramanyam) and a student leader who |
| 22 | falls in love with Shruti (Naghma), daughter of |
| 23 | Kakarla Satyanarayana, the corrupt Governor |
| 24 | of Tamil Nadu (Karnad). The reference is |
| 25 | evidently to Tamil Nadu’s controversial |
| 26 | governor M. Chenna Reddy, who had a public |
| 27 | feud with the state Chief Minister Jayalalitha |
| 28 | (to whom the film is dedicated). The love story |
| 29 | develops alongside the Governor’s nefarious |
| 30 | plans to bomb various public places. From the |
| 31 | opening number, ‘Take it easy Urvashi’, set |
| 32 | partly in an illuminated glass vehicle, the film |
| 33 | announces its ‘postmodern’ intentions using |
| 34 | computer-aided animation and elaborate |
| 35 | special effects as well as costumed dance |
| 36 | numbers, all of which set the stage for |
| 37 | numerous comments on contemporary politics |
| 38 | and the new mass culture. The heroine, |
| 39 | resembling sketches from a book on traditional |
| 40 | norms of Indian beauty, falls out with her |
| 41 | beloved when his breakdancing comes into |
| 42 | conflict with her devotion to the Bharat Natyam |
| 43 | dance form. During their motor-cycle escapade |
| 44 | to the temple town of Chidambaram, they foil |
| 45 | the Governor’s plan to bomb the place, after |
| 46 | which the hero is incarcerated and tortured by |
| 47 | a female cop. His release triggers a wild west |
| 48 | dance number and the film’s megahit, Mukkala |
| 49 | muqabala. The film makes several references |
| 50 | to earlier Tamil hits (e.g. to the Roja star |
| 51 | Aravind Swamy) and Prabhu on one occasion |
| 52 | pretends to be N.T. Rama Rao (leading to an |
| 53 | extract from the latter’s Lavakusa, 1963). |
| 54 | |
| 55 | [[Film]] |