| 1 | '''K.D. Brothers''' |
| 2 | |
| 3 | |
| 4 | Often described as India’s largest film importers |
| 5 | in the early silent era, the company, not well |
| 6 | documented because of its early closure, was |
| 7 | apparently owned by Krishnadas Dwarkadas. |
| 8 | By 1917 the company was well known as |
| 9 | importers of projectors and raw stock, with |
| 10 | branches in Calcutta and Benares. Its |
| 11 | advertised film imports in the Bombay |
| 12 | Chronicle include William Fox’s A Wife’s |
| 13 | Sacrifice (1919), the Gaumont Gazette and, in |
| 14 | 1921, independently made newsreels showing |
| 15 | events connected with the Swadeshi |
| 16 | agitations: e.g. Collecting Foreign Clothes in the |
| 17 | Streets of Bombay, Enthusiasts on their way to |
| 18 | the Bonfire near the Elphinstone Mills and |
| 19 | several shots of Gandhi and Maulana Shaukat |
| 20 | Ali. By the early 20s, K.D. Brothers mainly dealt |
| 21 | with newsreels such as Chimanlal Luhar’s |
| 22 | early work. Probably starting with tent |
| 23 | bioscopes, by the early 20s their interests |
| 24 | expanded to include two of Bombay’s frontline |
| 25 | theatres, the Globe and the West End. An |
| 26 | advertisement saying that the West End would |
| 27 | release ‘no serial and no Indian film’ while the |
| 28 | Globe would show the ‘best of serial chapter |
| 29 | plays and the pick of Indian productions’, |
| 30 | clearly reveals their twin distribution interests. |
| 31 | Among the Indian films they distributed, within |
| 32 | India and abroad (foreign distribution was for a |
| 33 | while controlled by A. Narayanan) were |
| 34 | Hindustan Cinema and Bharat films, the first |
| 35 | two Dhiren Ganguly films and Suchet |
| 36 | Singh’s Narasinh Mehta (1920). |
| 37 | |
| 38 | [[Glossary]] |