Changes between Initial Version and Version 1 of Imperial Films Company


Ignore:
Timestamp:
Jun 23, 2012, 11:08:05 AM (12 years ago)
Author:
Trupti
Comment:

--

Legend:

Unmodified
Added
Removed
Modified
  • Imperial Films Company

    v1 v1  
     1'''Imperial Films Company''' 
     2 
     3 
     4Est: 1926. Successor to the Majestic and Royal 
     5Art Film companies set up by Ardeshir Irani 
     6as a diversification of his exhibition interests in 
     7partnership with Esoofally, Mohammed Ali 
     8and Dawoodji Rangwala. Organised as a 
     9vertically integrated combine with its own 
     10exhibition infrastructure. Started following the 
     11decline of Kohinoor, it continued many of the 
     12latter’s Mohanlal Dave-inspired genres, often 
     13with the same stars and film-makers. Imperial 
     14became closely associated with the costumed 
     15historical genre launched with Anarkali (1928), 
     16shot and released almost overnight in direct 
     17competition to Charu Roy’s The Loves of a 
     18Mughal Prince (1928). Irani also rushed out 
     19Alam Ara (1931), released as India’s first full 
     20talkie narrowly beating Madan Theatres’ 
     21Shirin Farhad (1931). Imperial was the first 
     22studio to shoot scenes at night (in Khwab-e- 
     23Hasti, 1929) using incandescent lamps. It 
     24owned India’s top silent star, Sulochana, and 
     25promoted her along with Zubeida, Jilloo and, 
     26for a while, the young Prithviraj Kapoor. This 
     27was perhaps the first major instance of a 
     28deliberate manufacturing of a star-cult as a 
     29marketing strategy. Top Imperial film-makers 
     30include R.S. Choudhury, B.P. Mishra and 
     31Mohan Bhavnani, whose film-making set the 
     32house style, as did Nandlal Jaswantlal’s 
     33sound films. A fair number of the studio’s 
     34talkies were remakes of its own silent hits with 
     35Sulochana (Anarkali, 1928 & 1935), Wildcat 
     36of Bombay (1927) became Bambai Ki Billi 
     37(1936), etc. It made films in at least nine 
     38languages: Hindi, Gujarati, Marathi, Tamil, 
     39Telugu, Burmese, Malay, Pushtu and Urdu. The 
     40first Iranian sound film, Dukhtar-e-Lur (aka 
     41Dokhtare Lor Ya Irane Diruz Va Emruz, 1932) 
     42was also made here. Kisan Kanya (1937) by 
     43Gidwani was India’s first indigenously 
     44manufactured colour film, made with the 
     45Cinecolour process. When it closed in 1938, its 
     46economic and generic inheritance was 
     47continued by Sagar Movietone. 
     48 
     49[[Studio]]