| 1 | '''Hum''' |
| 2 | |
| 3 | |
| 4 | 1991 184’ col/scope Hindi |
| 5 | d Mukul S. Anand pc Romesh Films s Ravi |
| 6 | Kapoor, Mohan Kaul dial Kader Khan |
| 7 | lyr Anand Bakshi c W.B. Rao m Laxmikant- |
| 8 | Pyarelal |
| 9 | lp Amitabh Bachchan, Kimi Katkar, |
| 10 | Rajnikant, Anupam Kher, Danny Denzongpa, |
| 11 | Kadar Khan, Govinda, Deepa Sahi, Shilpa |
| 12 | Shirodkar, Romesh Sharma, Annu Kapoor |
| 13 | |
| 14 | |
| 15 | Beginning with silhouetted scenes (cf. Sam |
| 16 | Fuller’s Underworld USA, 1960) in the Bombay |
| 17 | dockyards recalling Deewar (1975) and |
| 18 | ending with the star’s bloodshot eyes |
| 19 | advancing towards the quivering villain, |
| 20 | Mukul Anand’s hit provides a lexicon of |
| 21 | Bachchanalia. Tiger (Bachchan), a petty |
| 22 | collector of protection money, changes sides |
| 23 | when his friend Gonsalves (Sharma) leads the |
| 24 | exploited dockers against Mr Big, Bakhtawar |
| 25 | (Denzongpa). The perfidious Inspector |
| 26 | Giridhar (Kher) and his sidekick (Kapoor) |
| 27 | manipulate the bloody confrontations so that |
| 28 | Bakhtawar is jailed for Gonsalves’ murder, his |
| 29 | family is exterminated and Tiger, together |
| 30 | with his two brothers (Rajnikant and Govinda) |
| 31 | and their families, is banished from the city. |
| 32 | Years later, after idyllic family scenes and a |
| 33 | complicated plot involving high-level scams in |
| 34 | the Indian Army, the Bachchan clan has to go |
| 35 | into action against a bunch of terrorists in |
| 36 | pseudo-hippy costumes and equipped with an |
| 37 | assortment of armaments. The high point of |
| 38 | the film, refurbishing an ageing Bachchan |
| 39 | image, is the big musical number Jumma |
| 40 | chumma (taken from Mori Kante’s Akwaba |
| 41 | Beach album) with Kimi Katkar performing in |
| 42 | a bar filled with sweaty, beer-swilling and |
| 43 | foot-stomping dockers whose collective |
| 44 | ejaculation takes the form of spraying the star |
| 45 | with whatever liquid is available. The scene is |
| 46 | repeated, as the gang-rape connotations are |
| 47 | replaced by those of movie-star mania, when |
| 48 | Katkar becomes a star and both she and |
| 49 | Bachchan are mobbed by crazed fans. The |
| 50 | film received an unprecedented saturation |
| 51 | release in over 400 cinemas. |
| 52 | |
| 53 | [[Film]] |