| 1 | '''Holi''' |
| 2 | |
| 3 | |
| 4 | aka Festival of Fire |
| 5 | 1983 116’(120’) col Hindi |
| 6 | d/co-sc/co-lyr Ketan Mehta pc Film Unit, Neo |
| 7 | Film Associates st/co-sc/co-dial Mahesh |
| 8 | Elkunchwar based on his play |
| 9 | co-dial/co-lyr Hriday Lani c Jehangir |
| 10 | Choudhury m Rajat Dholakia |
| 11 | lp Sanjeev Gandhi, Manoj Pandya, Rahul |
| 12 | Ranade, Ashutosh Gowarikar, Amole Gupte, |
| 13 | Om Puri, Naseeruddin Shah, Deepti Naval, |
| 14 | Shriram Lagoo, Aamir Khan, Mohan Gokhale |
| 15 | |
| 16 | |
| 17 | Mehta’s first Hindi film addresses the increasing |
| 18 | lumpenisation of university students featuring |
| 19 | scenes of victimisation reminiscent of Volker |
| 20 | Schloendorff’s Der junge Toerless (1966). |
| 21 | Forced to attend a lecture on India’s cultural |
| 22 | heritage while on holiday, the boys rebel. The |
| 23 | violence gradually escalates into a major battle |
| 24 | with the authorities as the colourful and |
| 25 | anarchistic pre-Vedic spring festival, Holi, turns |
| 26 | into a menacing festival of fire with burning |
| 27 | school furniture. The college principal induces |
| 28 | a boy to denounce the leaders of the rebellion. |
| 29 | The informer is publicly humiliated and is |
| 30 | forced to commit suicide. Mehta decided to |
| 31 | shoot almost all the scenes in sequence shots, |
| 32 | often using a crab-dolly or a steadycam, and |
| 33 | using synch sound rather than playback or |
| 34 | post-synched sound (in spite of the |
| 35 | complicated songs and the musical |
| 36 | accompaniment). The film’s enthusiastic and |
| 37 | hallucinatory participation in student violence |
| 38 | (of which it is supposedly critical) allows it to |
| 39 | move away from its original political thrust, |
| 40 | conveying existential despair instead. The film |
| 41 | enjoyed a cult audience in New Delhi for a |
| 42 | short period. |
| 43 | |
| 44 | [[Film]] |