| 1 | '''Himmatwala''' |
| 2 | |
| 3 | |
| 4 | 1983 179’(157’) col Hindi |
| 5 | d/sc K. Raghavendra Rao pc Padmalaya |
| 6 | p Krishna dial Kadar Khan lyr Indivar |
| 7 | c K.S. Prakash m Bappi Lahiri |
| 8 | lp Jeetendra, Sridevi, Amjad Khan, Waheeda |
| 9 | Rehman, Satyen Kappoo, Shakti Kapoor, |
| 10 | Shoma Anand, Asrani |
| 11 | |
| 12 | |
| 13 | Ravi (Jeetendra), a government engineer, |
| 14 | arrives in his ancestral village to right all the |
| 15 | wrongs perpetrated on his family by the |
| 16 | villainous Zamindar Sher Singh Bandookwala |
| 17 | (Khan) and also - on behalf of the State - to |
| 18 | introduce welfare measures represented by the |
| 19 | dam he is to build on Sher Singh’s property. |
| 20 | Sher Singh, who runs his own ‘parliament’ and |
| 21 | system of dispensing justice, had earlier forced |
| 22 | Ravi’s upright father (Kappoo), a school |
| 23 | teacher, into bonded labour and raped Ravi’s |
| 24 | mother (Rehman). The villains now force Ravi |
| 25 | to donate his sister Padma in marriage to the |
| 26 | evil Shakti (Kapoor), but in the end he reforms |
| 27 | the villains. The hero bullies Sher Singh’s |
| 28 | initially arrogant daughter Rekha (Sridevi) into |
| 29 | supporting him and opposing her father. This |
| 30 | modernisation melodrama, of the same |
| 31 | generation as e.g. Bangarada Manushya |
| 32 | (1972) and some of Bhartirajaa’s films, was |
| 33 | also a vehicle for the successful entry of South |
| 34 | Indian production capital into Hindi cinema |
| 35 | and the best-known of the several Jeetendra- |
| 36 | Sridevi films usually referred to as ‘South’ |
| 37 | pictures in the Bombay media. This shift |
| 38 | sometimes created unusual rhetorical structures |
| 39 | as it sought to transpose local idioms onto a |
| 40 | ‘national’ terrain: e.g the opening sequence in |
| 41 | which Ravi’s mother tells him of the family’s |
| 42 | unhappy history is narrated in quickfire, quasidocumentary |
| 43 | imagery with freeze frames and |
| 44 | cutaways providing ‘information’ |
| 45 | accompanying the mother’s strident voice-over. |
| 46 | |
| 47 | [[Film]] |