| 1 | '''Hemanta Kumar Mukherjee (1920-89)''' |
| 2 | |
| 3 | |
| 4 | Aka Hemant Kumar. Bengali-Hindi composer |
| 5 | and singer. Born in Varanasi. Left school to |
| 6 | become a professional singer. Studied under |
| 7 | Phani Bannerjee and Shailendraprasad Gupta. |
| 8 | Early songs for radio. Released his first record |
| 9 | in 1937, with the still-popular numbers Janite |
| 10 | jadi go and Balogo more. One of the most |
| 11 | popular Rabindra Sangeet singers of his time, |
| 12 | starting under the tutelage of Anadi Dastidar, |
| 13 | initially singing mainly in the tradition of |
| 14 | Pankaj Mullick. Changed his style in context |
| 15 | of a brief but fruitful collaboration with |
| 16 | composer Salil Choudhury (1949-52) |
| 17 | associated with the IPTA. Début as singer in |
| 18 | Bengali film with Phani Burma’s Nimai |
| 19 | Sanyasi (1940) and in Hindi with Iraada |
| 20 | (1944). Early compositions for Hemen Gupta |
| 21 | (Bhuli Naai, ’42, Anandmath, Kashti). |
| 22 | Established himself as a Bengali composer with |
| 23 | Ajoy Kar’s Jighansa. Although he went on to |
| 24 | become one of the most popular Bengali film |
| 25 | composers, his main fame derives from |
| 26 | playback singing for Uttam Kumar, his |
| 27 | baritone becoming a key ingredient of the star’s |
| 28 | romantic dramas: e.g. classic hits Jhor utteche |
| 29 | in Sudhir Mukherjee’s Shap Mochan; Nir |
| 30 | chhoto khati nei in Niren Lahiri’s Indrani |
| 31 | (1958); Ei path jadi na shesh hoi in Ajoy Kar’s |
| 32 | Saptapadi, etc. Often partnered Sandhya |
| 33 | Mukherjee, female playback usually for |
| 34 | Suchitra Sen. From the 50s onwards his voice |
| 35 | incarnated Bengali middle-class romanticism, |
| 36 | having an enduring influence on all male |
| 37 | playback singers in the language ever since. |
| 38 | Became a star singer in Hindi with the classic |
| 39 | Yeh raat yeh chandni in Guru Dutt’s Jaal |
| 40 | (1952), picturised on Dev Anand on the beach |
| 41 | among the fishing nets. Collaborated |
| 42 | extensively with Dutt, e.g. Jaane woh kaise log |
| 43 | the in Pyaasa (1957) and scored the |
| 44 | hauntingly beautiful numbers of Sahib Bibi |
| 45 | Aur Ghulam. First Hindi hit as composer is |
| 46 | Nagin, adapting a tune from Bijon |
| 47 | Bhattacharya’s play Jiyankanya for the |
| 48 | sinuous snake dance number Man dole, a |
| 49 | landmark in the introduction of electronics into |
| 50 | Hindi film music. Composed regularly for |
| 51 | Tarun Majumdar and for the early Mrinal |
| 52 | Sen, producing Sen’s Neel Akasher Neechey. |
| 53 | As producer he often worked with set designer |
| 54 | turned director Biren Nag, showing a penchant |
| 55 | for thrillers like Bees Saal Baad (adapting The |
| 56 | Hound of the Baskervilles), and Kohraa, |
| 57 | borrowed from Daphne du Maurier’s (and |
| 58 | Hitchcock’s) Rebecca. Also produced Pinaki |
| 59 | Mukherjee’s Faraar, Hrishikesh Mukherjee’s |
| 60 | Biwi Aur Makaan, Tarun Majumdar’s Rahgir |
| 61 | and Asit Sen’s Rajesh Khanna psychodrama |
| 62 | Khamoshi. Autobiography Amar Ganer |
| 63 | Swaralipi (1988). |
| 64 | |
| 65 | |
| 66 | '''FILMOGRAPHY''' (* also d): 1947: Purbaraag; |
| 67 | Abhiyatri; 1948: Bhuli Naai; Padma |
| 68 | Paramatti Nadi; Priyatama; 1949: Diner Par |
| 69 | Din; ’42; Sandipan Pathshala; Swami; 1951: |
| 70 | Jighansa; 1952: Anandmath; 1954: Daku Ki |
| 71 | Ladki; Kashti; Jagriti; Nagin; Samrat; Shart; |
| 72 | 1955: Bahu; Bandish; Bhagwat Mahima; |
| 73 | Lagan; Shap Mochan; 1956: Suryamukhi; |
| 74 | Anjaan; Arab Ka Saudagar; Bandhan; |
| 75 | Durgesh Nandini; Ek Hi Raasta; Hamara |
| 76 | Watan; Inspector; Lalten; Taj; 1957: Bandi; |
| 77 | Champakali; Ek Jhalak; Fashion; Hill Station; |
| 78 | Kitna Badal Gaya Insaan; Miss Mary; Payal; |
| 79 | Yahudi Ki Ladki; Shesh Parichaya; Taser Ghar; |
| 80 | Harano Sur; Naikinichi Sajja; 1958: |
| 81 | Lookochuri; Shikar; Joutuk; Surya Toran; Do |
| 82 | Mastane; Police; Sahara; Neel Akasher |
| 83 | Neechey; 1959: Chand; Hum Bhi Insaan |
| 84 | Hain; Marutirtha Hinglaj; Deep Jweley Jai; |
| 85 | Khelaghar; Sonar Harin; Kshaniker Atithi; |
| 86 | 1960: Kuhak; Khokha Babur Pratyabartan; |
| 87 | Baishey Shravan; Gariber Meye; Shesh |
| 88 | Paryanta; Duniya Jhukti Hai; Girl Friend; |
| 89 | 1961: Sathi Hara; Agni Sanskar; Swaralipi; |
| 90 | Madhya Rater Tara; Saptapadi; Dui Bhai; |
| 91 | 1962: Hansuli Banker Upakatha; Atal Jaler |
| 92 | Ahwan; Agun; Dada Thakur; Nabadiganta; |
| 93 | Bees Saal Baad; Maa Beta; Sahib Bibi Aur |
| 94 | Ghulam; 1963: Bin Badal Barsaat; Ek Tukro |
| 95 | Agun; Barnachora; Saat Pake Bandha; High |
| 96 | Heel; Palatak; Shesh Prahar; Tridhara; |
| 97 | Badshah; 1964: Kohraa; Pratinidhi; Bibhas; |
| 98 | Swarga Hotey Biday; Sindoore Megh; |
| 99 | Prabhater Rang; Natun Tirtha; Arohi; 1965: |
| 100 | Alor Pipasa; Ek Tuku Basa; Surya Tapa; Ek |
| 101 | Tuku Chhoya Lage; Do Dil; Faraar; 1966: |
| 102 | Anupama; Biwi Aur Makaan; Sannata; |
| 103 | Kanch Kata Hirey; Manihar; 1967: Balika |
| 104 | Bodhu; Dustu Prajapati; Nayika Sangbad; |
| 105 | Manjhli Didi; Ajana Shapath; 1968: Do Dooni |
| 106 | Char; Adwitiya; Baghini; Hansamithun; Jiban |
| 107 | Sangeet; Panchasar; Parishodh; 1969: Chena |
| 108 | Achena; Mon-Niye; Parineeta; Shuk Sari; |
| 109 | Khamoshi; Rahgir; 1970: Deshbandhu |
| 110 | Chittaranjan; Us Raat Ke Baad; Duti Mon; |
| 111 | 1971: Kuheli; Malyadaan; Nabaraag; |
| 112 | Nimantran; Sansar; 1972: Bees Saal Pehle; |
| 113 | Anindita*; Shriman Prithviraj; 1974: Bikele |
| 114 | Bhorer Phool; Thagini; Phuleshwari; 1975: |
| 115 | Agniswar; Nishi Mrigaya; Raag Anuraag; |
| 116 | Sansar Simantey; Mohan Baganer Meye; |
| 117 | 1976: Banhi Sikha; Datta; Sankhabish; |
| 118 | Pratisruti; 1977: Rajani; Din Amader; Hatey |
| 119 | Roilo Tin; Mantramugdha; Pratima; Sanai; |
| 120 | Shesh Raksha; Swati; Proxy; 1978: Nadi Theke |
| 121 | Sagare; Ganadevata; Pronoy Pasha; Do Ladke |
| 122 | Dono Kadke; 1979: Love in Canada; Shahar |
| 123 | Theke Dooray; Nauka Dubi; 1980: Bandhan; |
| 124 | Dadar Kirti; Paka Dekha; Pankhiraj; Shesh |
| 125 | Bichar; 1981: Subarna Golak; Kapal Kundala; |
| 126 | Meghmukti; Khelar Putul; 1982: Chhoto Maa; |
| 127 | Chut; Pratiksha; Uttar Meleni; 1983: Amar |
| 128 | Geeti; Rajeshwari; 1984: Agni Shuddhi; |
| 129 | Ajantay; Bishabriksha; Didi; Madhuban; Surya |
| 130 | Trishna; 1985: Bhalobasha Bhalobasha; |
| 131 | Tagori; 1986: Pathbhola; Ashirwad; 1987: |
| 132 | Pratibha; Tunibou; 1988: Boba Sanai; |
| 133 | Parasmoni; Surer Sathi; Agaman. |
| 134 | |
| 135 | [[Music]] |