| 1 | '''Harshadrai Sakerlal Mehta''' |
| 2 | |
| 3 | |
| 4 | Pioneer Hindi and Tamil director born in Mota, |
| 5 | Bardoli Dist., Gujarat. Started as a painter, |
| 6 | editor and cameraman at Kohinoor (1919), |
| 7 | but made his début for Krishna Film (Ver Ni |
| 8 | Vasulat). At Krishna he began his association |
| 9 | with long-time partner and cameraman Luhar |
| 10 | (e.g. Be Din Ni Badshahi, Amar Asha) making |
| 11 | melodramas often starring the Anglo-Indian |
| 12 | star Ermeline. Best-known film of this period is |
| 13 | Janjirne Jankare, the much-acclaimed Rajput |
| 14 | romance scripted and shot by Luhar. Made his |
| 15 | most influential films with the famous Mehta- |
| 16 | Luhar Prod. set up in 1931 with Bapubhai |
| 17 | Desai and the informal support of the Sharda |
| 18 | Studio. Made several Sharda-type stunt movies |
| 19 | featuring e.g. Navinchandra. Moved to |
| 20 | Coimbatore’s Premier Cinetone (1937) and |
| 21 | made a number of Tamil films. |
| 22 | |
| 23 | |
| 24 | '''FILMOGRAPHY:''' 1925: Swapna Sundari; Ver |
| 25 | Ni Vasulat; Chandrakant; Hothal Padmini; Jal |
| 26 | Kumari; Krishna Kumar; 1926: Be Din Ni |
| 27 | Badshahi; Amar Asha; Panna Ratna; Ram |
| 28 | Bharose; Bhool No Bhog; Panch Kalyani; |
| 29 | 1927: Janjirne Jankare; Keemti Ansoo; Roop |
| 30 | Sundari; Sharad Purnima; Keshavkant BA; |
| 31 | Vadia Dhor; 1928: Gul Badan; Karuna |
| 32 | Kumari; Raj Tarang; Saundarya Sura; Sassi |
| 33 | Punnu; 1929: Dilruba; Miss Dolly; Jai |
| 34 | Somnath; Satta No Mad; Pataal Padmini; |
| 35 | Ranagarjana; 1930: Talwar Ka Pani; Daku Ke |
| 36 | Dilbar; Soneri Khanjar; 1931: Kala Wagh; Raj |
| 37 | Bhakta; Priyatama; Ronak Mahal; Tirandaz; |
| 38 | Solanki Shamsher; Dharti Kaamp; 1932: Kalo |
| 39 | Sawar; Hoor-e-Hind; Vanraj Kesari; Bharat |
| 40 | Veer; 1933: Jallad (all St); Sohni Mahiwal; |
| 41 | Vikram Charitra; Rambha Rani; 1934: |
| 42 | Veerangana Panna; 1935: Meethi Nazar; |
| 43 | 1936: Pahadi Kanya; 1938: Eknath; Shri |
| 44 | Kanda Leela; 1939: Shakti Maya; 1940: |
| 45 | Parasuramar; 1942: Alli Vijaam; 1944: Ghar |
| 46 | Ki Shobha. |
| 47 | |
| 48 | [[Director]] |
| 49 | |
| 50 | [[Camera]] |