| | 3 | Bengali documentary and fiction director born in Calcutta. Studied film-making first at USC and later at UCLA (1945). Apprenticed to Hollywood film-maker Irving Pichel and present during the making of RKO’s They Won’t Believe Me (1947) and Universal’s Mr Peabody and the Mermaid (1948). Founder member with S. Ray, C. Das Gupta, Asit Sen et al. of the Calcutta Film Society (1947). Assisted Jean Renoir in making The River (1951) and shot best-known documentary Konarak (1949) with Renoir’s brother Claude. The film was partly remade in a ‘popular version’ by his brother Bulu for Films Division (1958). Début, A Perfect Day, is a featurette promoting cigarettes sponsored by the National Tobacco Co. scripted by Ray, produced by C. Das Gupta and shot by Ajoy Kar. It combined a vérité style with a fictional script, announcing e.g. Ray’s 50s realism. Later made the classic documentary The Story of Steel sponsored by Tata Steel, India’s largest private sector corporation. It was scripted by Ray, shot by Claude Renoir and edited by Hrishikesh Mukherjee with music by Ravi Shankar. It became a model for the type of Nehruite nation-building socialist-realism later associated with Films Division. Best-known films with the Shell Film Unit. Dasgupta and Ray planned to film Tagore’s Ghare Baire, a project realised 30 years later by Ray in 1984. Made two features, Kamallata and the critically acclaimed Eki Ange Eto Rup. He is regarded as Sukhdev’s teacher, later contributing to Nine Months To Freedom (1972). His son Raja Dasgupta is now a documentary director. Also made several 30’ films for USIS, the Ford Foundation, UNESCO etc. 1956-60 as well as for Hindustan Motors (1968). |