| 1 | '''Govind Nihalani (b. 1940)''' |
| 2 | |
| 3 | |
| 4 | Hindi director born in Karachi (now Pakistan) |
| 5 | into a merchant family. During Partition, his |
| 6 | family fled to Udaipur (1947) and then to Delhi. |
| 7 | Studied cinematography at S.J. Polytechnic, |
| 8 | Bangalore (1959-62). Assisted cameraman V.K. |
| 9 | Murthy in Bombay (1962-71). An early and |
| 10 | influential colleague was Bombay-based |
| 11 | playwright and theatre director Satyadev |
| 12 | Dubey, whose Shantata! Court Chalu Aahe |
| 13 | (1971) was Nihalani’s first feature as |
| 14 | cameraman. Shot over 200 advertising films |
| 15 | and documentaries, directing 100 more for |
| 16 | Krishna Movies in Bombay. Also shot |
| 17 | Benegal’s early films. Turned director in 1980. |
| 18 | Made Tendulkar-scripted political films |
| 19 | dealing with urban crime and official |
| 20 | corruption. Did 2nd unit work for |
| 21 | Attenborough’s Gandhi (1982). His box-office |
| 22 | hit Ardh Satya, used a Dirty Harry plot which |
| 23 | was familiar in Hindi and regional commercial |
| 24 | cinemas (e.g. Prakash Mehra’s Zanjeer, |
| 25 | 1973, in Hindi, and S.V. Rajendra Singh’s |
| 26 | Antha, 1981, in Kannada). Ardh Satya itself |
| 27 | was adapted into Tamil by K. Vijayan (Kaval, |
| 28 | 1985). Takes politically sensational topics and |
| 29 | turns them into individual moral dilemmas, |
| 30 | usually enacted by Om Puri. His TV serial |
| 31 | Tamas, set during Partition, proved |
| 32 | controversial and resulted in a court ruling |
| 33 | asserting the right to freedom of expression on |
| 34 | TV. Recent work mainly adaptations of stage |
| 35 | plays to TV (Ibsen, Strindberg and Lorca). A |
| 36 | book-length interview with Nihalani was |
| 37 | published in 1992 (ed. Samik Bandyopadhyay). |
| 38 | |
| 39 | |
| 40 | '''FILMOGRAPHY:''' 1980: Aakrosh; 1982: |
| 41 | Vijeta; 1983: Ardh Satya; 1984: Party; 1985: |
| 42 | Aaghat; 1986: Tamas (TV); 1989: Jazeerey |
| 43 | (TV); 1990: Drishti; 1991: Pita; Rukmavati Ki |
| 44 | Haveli. |
| 45 | |
| 46 | [[Director]] |