Changes between Version 1 and Version 2 of Gopi


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Timestamp:
Jul 2, 2013, 6:05:12 AM (7 years ago)
Author:
UshaR
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  • Gopi

    v1 v2  
    1212reputation on the stage, notably in roles like 
    1313that of Shandilyan in the farce Bhagavatha 
    14 Yajjukam (dir. Aravindan) and in folkdominated 
     14Yajjukam (dir. [[Aravindan]]) and in folkdominated 
    1515plays of Kavalam Narayana 
    1616Panicker’s Thiruvarung (e.g. Avanevan 
    17 Kadamba), before Adoor Gopalakrishnan 
    18 cast him in Swayamvaram and Kodiyettam. 
     17Kadamba), before [[Adoor Gopalakrishnan]] 
     18cast him in [[Swayamvaram]] and [[Kodiyettam]]. 
    1919His theatrical experience of stylised 
    2020choreography, Kalaripayattu-derived footwork, 
     
    2222percussion patterns, provided him with unique 
    2323skills to internalise the rhythm of a shot (cf. the 
    24 raising of the circus tent scene in Thampu, or 
    25 the tea-stall scene in Mani Kaul’s Satah Se 
    26 Uthata Admi). Played several straight dramatic 
     24raising of the circus tent scene in [[Thampu]], or 
     25the tea-stall scene in [[Mani Kaul]]’s [[Satah Se 
     26Uthata Admi]]). Played several straight dramatic 
    2727roles, e.g. as the government co-ordinator 
    28 Mamachen in George’s Adaminte Variyellu, 
     28Mamachen in [[George]]’s [[Adaminte Variyellu]], 
    2929the drunk in Neram Pularumbol and the 
    30 corrupt trade union leader in Nihalani’s 
     30corrupt trade union leader in [[Nihalani]]’s 
    3131Aaghat. Suffered a partial paralysis in the late 
    323280s forcing him to suspend his acting career for