Changes between Version 1 and Version 2 of Gopi

Timestamp:

Jul 2, 2013, 6:05:12 AM (11 years ago)

Author:

UshaR

Comment:

--

Gopi

@@ -12 +12 @@
 reputation on the stage, notably in roles like
 that of Shandilyan in the farce Bhagavatha
-Yajjukam (dir. Aravindan) and in folkdominated
+Yajjukam (dir. [[Aravindan]]) and in folkdominated
 plays of Kavalam Narayana
 Panicker’s Thiruvarung (e.g. Avanevan
-Kadamba), before Adoor Gopalakrishnan
-cast him in Swayamvaram and Kodiyettam.
+Kadamba), before [[Adoor Gopalakrishnan]]
+cast him in [[Swayamvaram]] and [[Kodiyettam]].
 His theatrical experience of stylised
 choreography, Kalaripayattu-derived footwork,
@@ -22 +22 @@
 percussion patterns, provided him with unique
 skills to internalise the rhythm of a shot (cf. the
-raising of the circus tent scene in Thampu, or
-the tea-stall scene in Mani Kaul’s Satah Se
-Uthata Admi). Played several straight dramatic
+raising of the circus tent scene in [[Thampu]], or
+the tea-stall scene in [[Mani Kaul]]’s [[Satah Se
+Uthata Admi]]). Played several straight dramatic
 roles, e.g. as the government co-ordinator
-Mamachen in George’s Adaminte Variyellu,
+Mamachen in [[George]]’s [[Adaminte Variyellu]],
 the drunk in Neram Pularumbol and the
-corrupt trade union leader in Nihalani’s
+corrupt trade union leader in [[Nihalani]]’s
 Aaghat. Suffered a partial paralysis in the late
 80s forcing him to suspend his acting career for