| 1 | '''Ghulam Haider''', (1908-53) |
| 2 | |
| 3 | |
| 4 | Music composer born in Hyderabad (Sind, |
| 5 | Pakistan). Studied dentistry. Leading composer |
| 6 | from the Lahore group with e.g. Shyam Sundar, |
| 7 | Khurshid Anwar and S.D. Batish. With |
| 8 | Naushad initiated a musical revolution helping |
| 9 | to institutionalise an All-India Film aesthetic |
| 10 | in the 40s. Learnt music from Babu Ganeshlal, |
| 11 | with whom he worked in theatre playing |
| 12 | harmonium in Calcutta. Briefly composer for |
| 13 | the Jenaphone recording label. Broke into films |
| 14 | in Lahore with Shorey; then worked for |
| 15 | Pancholi starting with the Punjabi film Gul-e- |
| 16 | Bakavali featuring Nurjehan as a child actress. |
| 17 | Regular composer for Pancholi until Poonji. His |
| 18 | score for Khazanchi led to a series of |
| 19 | Pancholi hits pioneering new marketing |
| 20 | strategies. Best-known compositions, often |
| 21 | sung by Shamshad Begum, invoke Punjabi folk |
| 22 | rhythms and extensively feature percussion |
| 23 | instruments like the dholak. Moved to Bombay |
| 24 | in 1944 where he worked in Filmistan (Chal |
| 25 | Chal Re Naujawan) and Minerva. |
| 26 | Composed one successful Mehboob film |
| 27 | (Humayun) and gave Lata Mangeshkar her |
| 28 | first big break in playback singing (Majboor, in |
| 29 | duets with Geeta Dutt and Mukesh). Returned |
| 30 | to Lahore after Partition, where he started |
| 31 | Filmsaz with director S. Nazir Ajmeri and actor |
| 32 | S. Gul, making Beqaraar. Also scored Akeli, |
| 33 | Bheegi Palkein and the two Nurjehan films |
| 34 | Gulenar (1953) and Laila. |
| 35 | |
| 36 | ''' |
| 37 | FILMOGRAPHY''': 1934: Thief of Iraq; 1935: |
| 38 | Majnu 1935; Swarg Ki Seedhi; 1939: Gul-e- |
| 39 | Bakavali; 1940: Yamla Jat; 1941: Choudhury; |
| 40 | Khazanchi; 1942: Khandaan; Zamindar; |
| 41 | 1943: Poonji; 1944: Bhai; Chal Chal Re |
| 42 | Naujawan; Phool; 1945: Humayun; 1946: |
| 43 | Behram Khan; Jag Biti; Shama; 1947: But |
| 44 | Tarash; Manjdhar; Mehndi; 1948: Barsaat Ki |
| 45 | Ek Raat; Majboor; Padmini; Patjhad; |
| 46 | Shaheed; 1949: Kaneez; 1950: Do Saudagar; |
| 47 | Putli; 1953: Aabshar. |
| 48 | |
| 49 | [[Music]] |