| 1 | '''Ghare Baire''' |
| 2 | |
| 3 | |
| 4 | aka Home and The World |
| 5 | 1984 140’ col Bengali |
| 6 | d/sc/m Satyajit Ray pc NFDC |
| 7 | st Rabindranath Tagore’s novel c Soumendu |
| 8 | Roy |
| 9 | lp Soumitra Chatterjee, Victor Bannerjee, |
| 10 | Swatilekha Chatterjee, Gopa Aich, Jennifer |
| 11 | Kendall, Manoj Mitra, Indrapramit Roy, Bimal |
| 12 | Chatterjee |
| 13 | |
| 14 | |
| 15 | Twenty years after Charulata (1964) Ray |
| 16 | returned to Tagore, in colour, adapting a |
| 17 | controversial novel that had increased in |
| 18 | stature over the years. Set during the terrorist |
| 19 | movements following the first communal |
| 20 | partition of Bengal (1905), the book tells a |
| 21 | triple story, interweaving the diaries of the |
| 22 | zamindar Nikhilesh (V. Bannerjee), a critic of |
| 23 | nationalism, with the stories of the man’s wife |
| 24 | Bimala (Sw. Chatterjee) and of their guest, the |
| 25 | fiery activist Sandeep (So. Chatterjee). Sandeep |
| 26 | and Bimala become involved with one another, |
| 27 | which for her leads to a sense of liberation. In |
| 28 | the end Nikhilesh dies, and Bimala is widowed, |
| 29 | punished for her transgression (the novel ends |
| 30 | differently, with Nikhilesh accepting Bimala |
| 31 | back). Ray played down the novel’s political |
| 32 | overtones in favour of a straight love triangle |
| 33 | enacted in a meticulously researched period |
| 34 | setting. The film, which Ray had intended as |
| 35 | his debut work, recalls Charulata in some |
| 36 | ways. Ray’s son, Sandeep, completed the postproduction |
| 37 | after Ray suffered his first heart |
| 38 | attack. |
| 39 | |
| 40 | [[Film]] |