| 1 | '''Gharana Mogudu''' |
| 2 | |
| 3 | |
| 4 | 1992 149’ col Telugu |
| 5 | d K. Raghavendra Rao pc Devi Film Prod. |
| 6 | p K. Devi Varaprasad st P. Vasu dial Parachuri |
| 7 | Bros. co-lyr Bhuvana Chandra c Ajayan Vincent |
| 8 | co-lyr/m M.M. Keeravani |
| 9 | lp Chiranjeevi, Naghma,Vani Vishwanath, Rao |
| 10 | Gopala Rao, Satyanarayana, Sharat Saxena, |
| 11 | Aahuti Prasad, P.L. Narayana, Chalapathi Rao, |
| 12 | Brahmanandam, Ramaprabha, Disco Shanti |
| 13 | |
| 14 | |
| 15 | Unemployed dock worker Raju (Chiranjeevi) |
| 16 | saves the life of industrialist Bapineedu |
| 17 | (Gopala Rao) who, in return, offers him a job. |
| 18 | Raju’s efforts to organise the workers lead to a |
| 19 | clash with Bapineedu’s daughter Uma Devi |
| 20 | (Naghma), who runs the company. Raju |
| 21 | becomes the president of the workers’ union, |
| 22 | defeating Sarangapani (Prasad) who, it turns |
| 23 | out, is actually in league with Uma Devi’s chief |
| 24 | rival Ranganayakulu (Satyanarayana). Uma |
| 25 | Devi marries Raju shortly after he has saved her |
| 26 | life following the rivals’ plan to have her |
| 27 | murdered, but this, it is later revealed, is only in |
| 28 | order to ‘tame’ the otherwise invincible union |
| 29 | worker. Raju moves into Uma Devi’s mansion |
| 30 | where he continues his union work, leading a |
| 31 | strike when Bhawani (Vishwanath), the woman |
| 32 | who originally loved him, is dismissed by Uma |
| 33 | Devi. In the end, when the true villains |
| 34 | Ranganayakulu and his son (Saxena) try to |
| 35 | destroy Uma Rani by burning the factory, Raju |
| 36 | saves his wife again and ‘forgives’ her. Taming |
| 37 | the wild and arrogant (i.e. independent) |
| 38 | woman is a major preoccupation of several |
| 39 | Chiranjeevi films, his adolescent machismo |
| 40 | being boosted as much by thrashing dozens of |
| 41 | villains as by putting women in their place (cf. |
| 42 | Donga Mogudu, 1987; Rickshavudu and |
| 43 | Alluda Majaaka, both 1995). One of |
| 44 | Chiranjeevi’s most successful film, its release |
| 45 | coincided with the brutal repression of a |
| 46 | Naxalite-led workers’ movements, in this |
| 47 | instance making reference to the Patancheru |
| 48 | industrial area in Hyderabad. Several notorious |
| 49 | ‘encounters’ between the police and political |
| 50 | activists in this period of extreme State |
| 51 | repression when Janardhana Reddy was the |
| 52 | State Chief Minister, also led to a genre of |
| 53 | worker-centered films featuring and made by |
| 54 | R. Narayanmurthy (eg. Erra Sainyam, 1994). |
| 55 | The film was a remake of the Rajnikant film |
| 56 | Mannan (1991). |
| 57 | |
| 58 | [[Film]] |