| 1 | |
| 2 | == Gemini Pictures == |
| 3 | |
| 4 | Aka Gemini Studios. Best-known Madras studio |
| 5 | in the 40s for redefining the concept of mass |
| 6 | entertainment with Chandralekha (1948), the |
| 7 | first Madras film to break successfully into the |
| 8 | Hindi cinema. S.S. Vasan started Gemini as a |
| 9 | distribution agency, the Gemini Pics Circuit, |
| 10 | distributing and partly financing films by K. |
| 11 | Subramanyam’s Motion Pics Producers |
| 12 | Combine. When the Combine went bankrupt, |
| 13 | Vasan bought the studio in 1939 at public |
| 14 | auction for a mere Rs 86,427-11 (Annas)-9 |
| 15 | (Paise) (according to Randor Guy). The studio’s |
| 16 | début feature was probably Balkrishna |
| 17 | Narayan Rao’s Madanakamarajan (1941), |
| 18 | but it only took off when cameraman-scenarist |
| 19 | K. Ramnoth joined it along with his Vauhini |
| 20 | partner, art-director A.K. Sekhar. This team |
| 21 | made most of Gemini’s early features: |
| 22 | Mangamma Sapatham (1943), Kannamma En |
| 23 | Kadhali (1945) and Miss Malini (1947) before |
| 24 | the Chandralekha blitz catapulted it on to the |
| 25 | national stage. In the early days, the most |
| 26 | important event in the studio was Uday |
| 27 | Shankar’s dance extravaganza Kalpana |
| 28 | (released 1948) which also provided training |
| 29 | for most of Gemini’s technicians as well as |
| 30 | providing the model for an Orientalist dance |
| 31 | idiom later associated with influential Tamil |
| 32 | choreographers like Hiralal and Chopra Master. |
| 33 | A few minor hits followed Chandralekha |
| 34 | before the studio’s second major onslaught on |
| 35 | the national box office with Apoorva |
| 36 | Sahodarargal (1949), a trilingual that |
| 37 | established the studio’s dominance in the genre |
| 38 | of the costumed adventure movie. Although its |
| 39 | Hindi version Nishan was not a major success, |
| 40 | Vasan continued making Hindi films, often |
| 41 | signing them himself: e.g. the Dilip Kumar |
| 42 | and Dev Anand film Insaniyat (1955), |
| 43 | Vyjayanthimala’s Raj Tilak (1958) and |
| 44 | Paigham (1959) starring Dilip Kumar, Raaj |
| 45 | Kumar and Vyjayanthimala. They also made |
| 46 | the megabudget Tamil classic Avvaiyyar |
| 47 | (1953). An important later production was |
| 48 | Motor Sundaram Pillai (1966), Sivaji |
| 49 | Ganesan’s only film at this studio. In 1958 the |
| 50 | studio expanded into the Gemini Colour lab, |
| 51 | licensed by Eastmancolor Kodak film. After |
| 52 | Vasan’s death, his son S.S. Balasubramanyam |
| 53 | produced the unsuccessful Ellorum Nallavare |
| 54 | (1975). Gemini’s productions declined in the |
| 55 | 70s, although it remained successful as a studio |
| 56 | and equipment rental business now taken over |
| 57 | by the Anand Cine Services. |