| 1 | == Ganga Jumna == |
| 2 | |
| 3 | 1961 178’ col Hindi-Bhojpuri |
| 4 | |
| 5 | d Nitin Bose |
| 6 | |
| 7 | pc Citizens Films |
| 8 | |
| 9 | s/p Dilip |
| 10 | Kumar dial Wajahat Mirza |
| 11 | |
| 12 | lyr Shakeel Badayuni c V. Babasaheb m Naushad |
| 13 | |
| 14 | lp Dilip Kumar, Vyjayanthimala, Nasir Khan, |
| 15 | Azra, Kanhaiyalal, Anwar Hussain, Nasir |
| 16 | Hussain, S. Nazir, Leela Chitnis, Perveen Paul, |
| 17 | Helen, Husn Bano, Ranjeet Sud, Khwaja Sabir, |
| 18 | Amar, Bihari, Harun, Narbada Shankar, Fazlu, |
| 19 | Ram Kumar, Akashdeep, Baby Aruna, Baby |
| 20 | Naaz |
| 21 | |
| 22 | |
| 23 | Dilip Kumar produced, wrote and starred in |
| 24 | this story, shot in garish Technicolor, of two |
| 25 | brothers on opposite sides of the law, Ganga |
| 26 | (D. Kumar) and Jumna (played by D. Kumar’s |
| 27 | real-life brother, N. Khan). Having been framed |
| 28 | by a zamindar (A. Hussain) for a crime he did |
| 29 | not commit, Ganga becomes a criminal living |
| 30 | in the mountains with his girlfriend Dhanno |
| 31 | (Vyjayanthimala). His brother, educated on |
| 32 | Ganga’s money in the city, becomes a |
| 33 | policeman. When years later Ganga is to |
| 34 | become a father, he decides to return to the |
| 35 | village to ask people’s forgiveness, but he has |
| 36 | to face his righteous brother Jumna who shoots |
| 37 | him dead. Dhanno also dies in the gun battle. |
| 38 | This dacoit drama, resembling a cross between |
| 39 | 30s Hollywood gangster films and westerns, |
| 40 | pioneered a widely copied action film formula |
| 41 | (cf. Deewar, 1975). The most significant |
| 42 | difference from the Hollywood stories is that |
| 43 | the two main protagonists are brothers instead |
| 44 | of ‘kids from the same block’ or ‘erstwhile |
| 45 | bosom buddies’. Dilip Kumar uses Bhojpuri |
| 46 | instead of Hindi to liberate himself from his |
| 47 | usual, more restrained persona while at the |
| 48 | same time equating naturalism with a distinct |
| 49 | class attitude against which, in this film, he |
| 50 | rebels. This strategy was later followed by e.g. |
| 51 | Bachchan (Ganga Ki Saugandh, Don, both |
| 52 | 1978). The songs Nain lad gayi re (sung by |
| 53 | Mohammed Rafi), Do hanson ka joda, |
| 54 | Dhoondo dhoondo re saajana and Na |
| 55 | maanon re (sung by Lata Mangeshkar), were |
| 56 | major hits though little can be said for their |
| 57 | picturisation. |