| 1 | '''Ganashatru''''''''' |
| 2 | |
| 3 | |
| 4 | aka An Enemy of the People |
| 5 | 1989 99’ col Bengali |
| 6 | d/sc/m Satyajit Ray pc NFDC st Henrik Ibsen’s |
| 7 | play c Barun Raha |
| 8 | lp Soumitra Chatterjee, Ruma Guha- |
| 9 | Thakurta, Mamata Shankar, Dhritiman |
| 10 | Chatterjee, Dipankar Dey, Subhendu |
| 11 | Chatterjee, Manoj Mitra, Vishwa Guha- |
| 12 | Thakurta, Rajaram Yagnik, Satya Bannerjee, |
| 13 | Gobinda Mukherjee |
| 14 | |
| 15 | |
| 16 | Having suffered a heart attack, Ray returned to |
| 17 | cinema, extensively assisted by his son |
| 18 | Sandeep, with a short documentary on his |
| 19 | father, Sukumar Ray (1987), and with this first |
| 20 | of three features set in contemporary Bengal, |
| 21 | addressing, like his earlier trilogy, the theme of |
| 22 | corruption. For his first contemporary story |
| 23 | since Jana Aranya (1975), Ray transposes the |
| 24 | Ibsen play into the story of Dr Ashok Gupta |
| 25 | (Soumitra Chatterjee) who protests when the |
| 26 | holy water in a temple turns out to be |
| 27 | contaminated by bad plumbing and produces a |
| 28 | jaundice epidemic. The doctor meets with |
| 29 | powerful opposition from the temple trustees |
| 30 | and the villagers. The plot device of making the |
| 31 | holy water in a temple the cause of disease |
| 32 | evoked the rise of the Hindu religious right |
| 33 | wing in Indian politics. The film is shot |
| 34 | predominantly in close-ups and mid-shots and |
| 35 | seems to bear the stamp of Ray’s continuing ill |
| 36 | health. |
| 37 | |
| 38 | [[Film]] |