Changes between Initial Version and Version 1 of Gajanan Digambar Madgulkar


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Timestamp:
Jun 25, 2012, 5:10:37 PM (12 years ago)
Author:
Trupti
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  • Gajanan Digambar Madgulkar

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     1'''Gajanan Digambar Madgulkar 1919-77)''' 
     2 
     3Marathi scenarist, songwriter, actor and poet. 
     4First film as lyric writer: Bedekar’s Pahila 
     5Palna (1942), which was also his acting début. 
     6Achieved prominence in the 50s via his 
     7popular film songs on the radio and on discs 
     8which, following the spread of playback, 
     9evolved the bhava geet: orchestrated songs of 
     10about three minutes duration using simple 
     11emotive lyrics. His texts were mainly sung and 
     12orchestrated by Sudhir Phadke, their Geet 
     13Ramayan record series of 1957 remaining very 
     14popular with the Marathi middle class and a 
     15precursor of the 70s bhajan craze. Often wrote 
     16for Raja Paranjpe (Jivacha Sakha, 1948; 
     17Pudhcha Paool, 1950; Lakhachi Goshta 
     18and Pedgaonche Shahane, both 1952; Oon 
     19Paoos, 1954; Ganget Ghoda Nhala, 1955; 
     20Andhala Magto Ek Dola and Deoghar, both 
     211956; Pathlaag, 1964). This work dominated 
     22the Marathi cinema in the 50s and 60s and is 
     23associated with the shift, on the formation of 
     24the state of Maharashtra, to a concern with 
     25Marathi identity accompanied by the creation 
     26of industrial infrastructures (and audiences) 
     27based on regional capital. First script, 
     28Shantaram’s Lokshahir Ramjoshi/ 
     29Matwala Shayar Ramjoshi (1947; also act), 
     30launched the gramin chitrapat genre of ‘rural’ 
     31film typically using dialect, located in a village 
     32and telling of a power struggle between a good 
     33peasant lad and an evil sarpanch (village 
     34elder). Also wrote scripts for Dinkar D. Patil, 
     35the best-known Marathi director in the genre 
     36(Baap Mazha Brahmachari and Prem 
     37Andhala Asta, both 1962). However, where 
     38Patil used the genre as an indigenous version 
     39of the western, Madgulkar’s scripts conveyed a 
     40sense of political awareness in line with e.g. 
     41Vyankatesh Madgulkar’s stories about rural 
     42characters. Wrote prose melodramas, e.g. for 
     43Dharmadhikari (e.g. Bala Jo Jo Re, 1951; 
     44Stree Janma Hi Tujhi Kahani, 1952). Also 
     45adapted mythologicals and historicals to the 
     46studios’ industrial requirements (e.g. Maya 
     47Bazaar, 1949; Shri Krishna Darshan, 1950; 
     48Narveer Tanaji, 1952). Acted in e.g. 
     49Pedgaonche Shahane, Jeet Kiski (both 1952), 
     50Banwasi, Adalat (both 1948). 
     51 
     52[[Writer]] 
     53 
     54[[Actor]]