| 3 | | Marathi and Hindi director, better known as a Marathi lyricist; born in Pune, where he saw many classic [[SANGEET NATAK|Sangeet Natak]] performances in his childhood. Apprenticed to novelist [[Narayan Hari Apte]], helping him to publish the journal Madhukar in Koregaon. When Apte was invited to script [[Amritmanthan]] (1934) for [[Prabhat Studio|Prabhat]], Athavale followed his mentor as a songwriter, and achieved instant success esp. with the song Kiti sukhada. Achieved even greater renown when he wrote the only new song for [[http://en.wikipedia.org/wiki/Sant_Tukaram|Sant Tukaram]] (1936), the others being the saint poet’s original compositions. The song in question, Adhi beej ekale, convinced many Tukaram authorities that an unknown Tukaram composition had been discovered. He wrote most of the songs of Prabhat hits such as [[Kunku]] (1937), [[Mazha Mulga]] and [[Gopal Krishna (1929)|Gopal Krishna]] (both 1938), [[http://en.wikipedia.org/wiki/Sant_Dnyaneshwar|Sant Dnyaneshwar]] (1940), [[Sant Sakhu]] and [[Shejari]] (both 1941), [[Daha Wajta]] (1942) and [[Ramshastri]] (1944), often in partnership with composer [[Keshavrao Bhole]]. Left Prabhat (1942) to write dialogues and lyrics for [[Debaki Bose]]’s [[Aple Ghar]] (1942) and lyrics for [[Vijay Bhat]]t’s [[Bharat Bhet]] (1942). For his début as director with Bhagya Rekha, he hired his former teacher N.H. Apte together with the star associated with his songs, [[Shanta Apte]]. |
| | 3 | Marathi and Hindi director, better known as a Marathi lyricist; born in Pune, where he saw many classic [[SANGEET NATAK|Sangeet Natak]] performances in his childhood. Apprenticed to novelist [[Narayan Hari Apte]], helping him to publish the journal Madhukar in Koregaon. When Apte was invited to script [[Amritmanthan]] (1934) for [[Prabhat Studio|Prabhat]], Athavale followed his mentor as a songwriter, and achieved instant success esp. with the song Kiti sukhada. Achieved even greater renown when he wrote the only new song for [[http://en.wikipedia.org/wiki/Sant_Tukaram|Sant Tukaram]] (1936), the others being the saint poet’s original compositions. The song in question, Adhi beej ekale, convinced many Tukaram authorities that an unknown Tukaram composition had been discovered. He wrote most of the songs of Prabhat hits such as [[http://en.wikipedia.org/wiki/Kunku|Kunku]] (1937), [[Mazha Mulga]] and [[Gopal Krishna (1929)|Gopal Krishna]] (both 1938), [[http://en.wikipedia.org/wiki/Sant_Dnyaneshwar|Sant Dnyaneshwar]] (1940), [[http://en.wikipedia.org/wiki/Sant_Sakhu|Sant Sakhu]] and [[Shejari]] (both 1941), [[Daha Wajta]] (1942) and [[Ramshastri]] (1944), often in partnership with composer [[Keshavrao Bhole]]. Left Prabhat (1942) to write dialogues and lyrics for [[Debaki Bose]]’s [[Aple Ghar]] (1942) and lyrics for [[Vijay Bhat]]t’s [[Bharat Bhet]] (1942). For his début as director with Bhagya Rekha, he hired his former teacher N.H. Apte together with the star associated with his songs, [[Shanta Apte]]. |