| 1 | |
| 2 | == Films Division == |
| 3 | |
| 4 | Est: 1949. A ‘ mass-media unit’ run by the |
| 5 | Ministry of Information & Broadcasting, it is |
| 6 | ‘the central film-producing organisation |
| 7 | responsible for the production and distribution |
| 8 | of newsreels, documentaries and other films |
| 9 | required by the Government of India for public |
| 10 | information, education and for instructional |
| 11 | and cultural purposes’ (UNESCO report, 1973; |
| 12 | quoted in Jag Mohan, 1990). Until the post- |
| 13 | Emergency period which saw, for the first time, |
| 14 | the independently made documentary (cf. |
| 15 | Anand Patwardhan), the Films Division had |
| 16 | the monopoly on documentary cinema in |
| 17 | India, making upwards of 200 shorts/ |
| 18 | documentaries and weekly newsreels (Indian |
| 19 | News Review). Each film had over 9000 prints |
| 20 | and was dubbed into 18 Indian languages and |
| 21 | exhibited through compulsory block booking |
| 22 | in every permanent cinema in the country. Its |
| 23 | early work used imagery today considered |
| 24 | typical of the iconography of the Nehru era, |
| 25 | such as N.S. Thapa’s documentary on the |
| 26 | Bhakra Nangal dam (1958), and connects via |
| 27 | the war propaganda productions of the Film |
| 28 | Advisory Board with the British documentary |
| 29 | tradition pioneered by John Grierson, a link |
| 30 | further strengthened by film producers Jean |
| 31 | Bhownagry, James Beveridge (Shell Film Unit) |
| 32 | and, briefly in the late 60s, film-maker Basil |
| 33 | Wright working at Films Division on loan from |
| 34 | UNESCO. Best-known 70s work was by |
| 35 | Sukhdev. Recent productions include Shyam |
| 36 | Benegal’s feature-length documentaries Nehru |
| 37 | and Satyajit Ray (both 1984) and Mani Kaul’s |
| 38 | Siddheshwari (1989). However the bulk of |
| 39 | the Films Division’s enormous output is by inhouse |
| 40 | film-makers. |
| 41 | |
| 42 | [[Studio]] |