Changes between Version 2 and Version 3 of Elangovan

Timestamp:

Jul 1, 2013, 6:47:55 AM (11 years ago)

Author:

UshaR

Comment:

--

Elangovan

@@ -4 +4 @@
 Tamil script and dialogue writer in the 40s,
 originally named T.K. Thanikachalam. Début
-with Duncan’s seminal Ambikapathy (1937),
+with [[Duncan]]’s seminal [[Ambikapathy]] (1937),
 followed by several story and script credits for
 films which established a new style in film
-melodrama: Raja Chandrasekhar’s Ashok
-Kumar (1941), R.S. Mani’s Kannagi (1942),
+melodrama: [[Raja Chandrasekhar]]’s [[Ashok
+Kumar]] (1941), R.S. Mani’s [[Kannagi]] (1942),
 Central Studios’ Sivakavi (1943), R.S. Mani’s
-Mahamaya (1944: some accounts credit him
-with direction as well), K. Subramanyam’s
+[[Mahamaya]] (1944: some accounts credit him
+with direction as well), [[K. Subramanyam]]’s
 Gokula Dasi (1948), S.M. Sreeramulu Naidu’s
-Pavalakkodi (1949), and especially Ramnoth’s
-epic Ezhai Padum Padu (1950). Formerly
+Pavalakkodi (1949), and especially [[Ramnoth]]’s
+epic [[Ezhai Padum Padu]] (1950). Formerly
 associated with the journal Manikodi whose
 literary idiom he transferred to cinema (cf.
-Kannamba’s monologues in Kannagi). Critic
+[[Kannamba]]’s monologues in Kannagi). Critic
 and film-maker K. Hariharan writes: ‘ He
 breathed new fire into film dialogues [with] a
 passion quite removed from the standard
 mythologicals’ and quotes popular scenarist
-A.L. Narayanan as saying that Elangovan and P.
-Neelakantan, ‘were the first real screen writers
+A.L. Narayanan as saying that Elangovan and ppP.
+Neelakantan[[, ‘were the first real screen writers
 in Tamil’. The literary scripting style was
-adopted later by e.g. A.S.A. Samy in Valmiki
+adopted later by e.g. ppA.S.A. Samy[[ in Valmiki
 (1946) and S.D. Sundaram in Kanniyin Kathali
 (1949). it was also an important precursor of
-Annadurai’s later declamatory scripts. Wrote
-Raja Sandow’s Thiruneelakantar (1939), Raja
+[[Annadurai]]’s later declamatory scripts. Wrote
+[[Raja Sandow]]’s Thiruneelakantar (1939), Raja
 Chandrasekhar’s Arundhati (1943), S. Nottani’s
 Inbavalli (1949), K.S. Gopalakrishnan’s