| 1 | |
| 2 | == Durai == |
| 3 | Prominent 70s independent Tamil director. |
| 4 | Former assistant to Yoganand and G.V. Iyer |
| 5 | (Hamsa Geethe, 1975). First film, Avalum |
| 6 | Penn Thaane, is a tragic portrayal of an |
| 7 | orphaned woman saved from a vice den who |
| 8 | sacrifices her life to protect another woman |
| 9 | from being trapped into prostitution. It |
| 10 | attracted some critical attention as one of the |
| 11 | better mid-70s commercial films engaging with |
| 12 | the feminist movement. However, he went on |
| 13 | Doordarshan |
| 14 | 93 |
| 15 | to make a formula of this theme, featuring a |
| 16 | series of florid female characters such as the |
| 17 | tragic heroine who marries her lover’s son in |
| 18 | Oru Veedu Oru Ulagam. Best-known film is |
| 19 | Pasi, which redeems its sentimentalism |
| 20 | through a realistic usage of dialect and a |
| 21 | number of well-sketched characterisations. |
| 22 | Worked in Hindi, Kannada, Telugu and |
| 23 | Malayalam. Also scripted his films. |
| 24 | |
| 25 | FILMOGRAPHY: 1974: Avalum Penn |
| 26 | Thaane; 1975: Oru Kudumbathin Kathai; |
| 27 | 1976: Mugiyada Kathe; Asai Arubathu Naal; |
| 28 | 1977: Raghupati Raghava Rajaram; 1978: |
| 29 | Aval Thantha Uravu; Chadarangam; Pavathin |
| 30 | Sambalam; Ayiram Janmangal; Oru Veedu |
| 31 | Oru Ulagam; 1979: Kadamai Nenjam; Pasi; |
| 32 | Neeya; Needhikku Mun Neeya Nana; Malligai |
| 33 | Mohini; Priya Bandhavi; Pathai Marinal; |
| 34 | 1980: Kaadu; Maria My Darling; Pennukku |
| 35 | Yar Kaval; Enga Vathiar; Porkalam; Thani |
| 36 | Maram; Oli Pirandathu; 1981: Aval Oru |
| 37 | Kaviyam; Vadagai Veedu; Mayil; Kilinjalgal; |
| 38 | 1982: Ruby My Darling; Velicham Vitharunna |
| 39 | Pennkutty; Nalanthana; Thunai; Theerpugal |
| 40 | Thirutha Padalam; 1983: Do Gulab; 1984: Pet |
| 41 | Pyar Aur Paap; 1985: Veli; 1986: Oru |
| 42 | Manithan Oru Manaivi; 1987: Veera Pandian; |
| 43 | 1988: Palaivanathil Pattampoochi; 1990: |
| 44 | Pudhiya Athiyayam. |