| 1 | '''Drohkaal''' |
| 2 | |
| 3 | |
| 4 | 1994 171’ col Hindi |
| 5 | d/p/st/co-sc/co-dial Govind Nihalani |
| 6 | pc Udbhav Cine co-sc Anjum Rajabali co-dial |
| 7 | Atul Tiwari, Govind P. Deshpande m Vanraj |
| 8 | Bhatia |
| 9 | lp Om Puri, Naseeruddin Shah, Meeta |
| 10 | Vasisth, Ashish Vidyarthi, Milind Gunaji, Annu |
| 11 | Kapoor, Kitu Gidwani, Amrish Puri |
| 12 | |
| 13 | |
| 14 | Nihalani returned to his familiar 80s genre (cf. |
| 15 | Ardh Satya, 1983) of the fast-paced political |
| 16 | thriller with this story about terrorist |
| 17 | movements in Northern India. Abhay Singh |
| 18 | (O. Puri), the emotionally insecure head of an |
| 19 | elite anti-terrorist squad operating in a terrain |
| 20 | made to resemble 1980s/90s Kashmir, sends |
| 21 | two insurgents to infiltrate the terrorist group |
| 22 | led by Commander Bhadra (Vidyarthi). Bhadra |
| 23 | is captured and, for much of the film, matches |
| 24 | wits with Singh using knowledge provided to |
| 25 | him by his own informers within the police. |
| 26 | When Singh’s own senior officer (A. Puri) |
| 27 | commits suicide after being revealed as a |
| 28 | terrorist informer, Singh breaks down and turns |
| 29 | informer to save his wife (Vasisth) and child |
| 30 | from the all-pervasive terrorist menace. In the |
| 31 | end he kills Bhadra, and succeeds at the cost |
| 32 | ofhis own life in placing his own man (Gunaji) |
| 33 | at the head of the terrorist gang. The rapid |
| 34 | editing, extended use of close-up and tight |
| 35 | dramatic control - Nihalani’s hallmark - |
| 36 | dominate the long and tortuous story. |
| 37 | |
| 38 | [[Film]] |