Changes between Version 1 and Version 2 of Dinen Gupta

Timestamp:

Jul 2, 2013, 6:38:56 AM (11 years ago)

Author:

UshaR

Comment:

--

Dinen Gupta

@@ -5 +5 @@
 Calcutta into a family in the film business.
 Member of the 50s generation of Calcutta
-cineastes (Ghatak, Sen et al.) influenced by
-the IPTA, the Calcutta Film Society (Est: 1941)
+cineastes ([[Ghatak]], [[Sen]] et al.) influenced by
+the [[IPTA]], the Calcutta Film Society (Est: 1941)
 and Italian neo-realism (screened in India at
 the International Film Festival in 1952). Early
 work as assistant to cameraman Ramananda
 Sengupta: shot some of Ghatak’s early films
-(e.g. Ajantrik, 1957; Bari Theke Paliye, 1959),
-Tarafdar’s Ganga (1960) and Harisadhan
-Dasgupta’s work. Directorial début with
-Natun Pata locates him, somewhat belatedly,
-in the post-Pather Panchali (1955) tradition
+(e.g. [[Ajantrik]], 1957; Bari Theke Paliye, 1959),
+[[Tarafdar]]’s [[Ganga]] (1960) and [[Harisadhan]]
+[[Dasgupta]]’s work. Directorial début with
+[[Natun Pata]] locates him, somewhat belatedly,
+in the post-[[Pather Panchali]] (1955) tradition
 of rustic lyricism. Pratham Pratisruti was based
 on Ashapurna Devi’s famous novel. Ajker
 Nayak belonged to the ‘ lumpen rebel’ genre
 that emerged in 70s Bengali cinema after the
-Naxalite uprising, but it stuck closer to e.g.
-Sinha’s version of events rather than the
+[[Naxalite]] uprising, but it stuck closer to e.g.
+[[Sinha]]’s version of events rather than the
 better-known M. Sen iconography. Later made
 some comic melodramas (e.g. Basanta Bilap,