| 1 | '''Dhare Aalua''' |
| 2 | |
| 3 | |
| 4 | aka Ray of Light |
| 5 | 1984 162’ b&w Oriya |
| 6 | d/sc Saghir Ahmed pc Garuda Cinemagraphics |
| 7 | st Manorama Das dial Sanjide Tayab |
| 8 | lyr Suryamani Tripathi c Bidushree Bindhani |
| 9 | m Harihar Panda |
| 10 | lp Prithviraj Mishra, Soumitra, Hemanth, Purna |
| 11 | Bindhani, Dipen Ghosh, Soumendu Tripathi, |
| 12 | Amrita Ahmed, Shivani Mahapatra |
| 13 | |
| 14 | |
| 15 | A courageous low-budget feature by Saghir |
| 16 | Ahmed who teaches script writing at the FTII. |
| 17 | The film addresses questions of rural |
| 18 | oppression in ways markedly different from its |
| 19 | usual treatment in Oriya cinema (cf. |
| 20 | Manmohan Mahapatra). A joint family is |
| 21 | partially fragmented when the patriarch’s only |
| 22 | son (Mishra), a political activist, has to spend |
| 23 | much of his time avoiding the police. The |
| 24 | family informally adopts two children and is |
| 25 | then blamed when one of them commits |
| 26 | suicide while escaping from Panchanan |
| 27 | (Ghosh), the children’s oppressive legal |
| 28 | guardian. The children’s mostly absent |
| 29 | journalist father (Mahapatra) causes the activist |
| 30 | to be arrested, but eventually all the players of |
| 31 | the drama come together. The director’s |
| 32 | daughter Amrita Ahmed played one of the two |
| 33 | children. |
| 34 | |
| 35 | [[Film]] |