| 1 | '''Dharavi''' |
| 2 | |
| 3 | |
| 4 | aka Quicksand |
| 5 | 1991 116’ col Hindi |
| 6 | d/s Sudhir Mishra pc NFDC/Doordarshan |
| 7 | dial Atul Tiwari, Pranay Singh c Rajesh Joshi |
| 8 | m Rajat Dholakia |
| 9 | lp Om Puri, Shabana Azmi, Raghuvir Yadav, |
| 10 | Chandu Parkhi, Virendra Saxena, Pramod Bala, |
| 11 | Satish Khopkar, Mushtaq Khan, Shakti Singh, |
| 12 | Madhuri Dixit |
| 13 | |
| 14 | |
| 15 | Om Puri plays Rajkaran Yadav, an emigré taxi |
| 16 | driver from U.P. living in Bombay’s notorious |
| 17 | Dharavi slum. His wife Kusum (Azmi), living in |
| 18 | a one-room tenement with his mother, works |
| 19 | to contribute to her husband’s ambitious dream |
| 20 | of owning a factory. However, the business |
| 21 | enterprise is a disaster as the taxi driver gets |
| 22 | embroiled with gangsters, forcing his wife to |
| 23 | return to her first husband. The ending shows |
| 24 | Yadav as boundlessly optimistic as he was at |
| 25 | the outset. The film tries to transform the |
| 26 | conventions of realism usually deployed for |
| 27 | such stories (cf. Chakra, 1980) with surreal |
| 28 | effects including the hero’s oscillations |
| 29 | between fact and fantasy (the latter with Hindi |
| 30 | superstar Madhuri Dixit). The opening |
| 31 | sequence announces the film’s intentions as a |
| 32 | Hindi movie being screened to slumdwellers in |
| 33 | the open air is abruptly ended when the screen |
| 34 | catches fire and the audience riots. |
| 35 | |
| 36 | [[Film]] |