| 1 | '''Devasuram''' |
| 2 | |
| 3 | |
| 4 | 1993 187’ col/scope Malayalam |
| 5 | d I.V. Sasi pc Anugraha Cine Arts |
| 6 | p V.B.K. Menon s Renjith lyr Girish Puthencheri |
| 7 | c V. Jayaram m M.G. Radhakrishnan |
| 8 | lp Mohanlal, Revathi, Innocent, Nedumudi |
| 9 | Venu, Chitra, Napoleon |
| 10 | |
| 11 | |
| 12 | A film about a ‘good’ villain exemplifying and |
| 13 | celebrating contemporary Hindu chauvinist |
| 14 | brutalism. Mangalassery Neelakandan |
| 15 | (Mohanlal) is a drunk, a womaniser and the |
| 16 | wealthy boss of a band of thugs available for |
| 17 | disrupting public events. However, he is |
| 18 | presented as essentially decent, donating |
| 19 | money to a local temple and patronising |
| 20 | classical music. His ‘weaknesses’ are not his |
| 21 | fault but the unfortunate consequences of |
| 22 | ‘modern times’ and the regrettable decaying of |
| 23 | feudalism. Halfway through the film, he is |
| 24 | paralysed following some unusually violent |
| 25 | scenes, but nursed to recovery by a Bharat |
| 26 | Natyam dancer, Bhanu (Revathi), whose career |
| 27 | he had ruined earlier. Her action demonstrates |
| 28 | the redemptive powers of tradition and the |
| 29 | hero can now do the right thing in the film’s |
| 30 | climax: in an orgy of violence at a temple |
| 31 | festival, the restored hero is able to reassert his |
| 32 | righteous manhood by battering his rivals into |
| 33 | submission. |
| 34 | |
| 35 | [[Film]] |