| 1 | '''Chitrapu Narayanamurthy(1913-85)''' |
| 2 | |
| 3 | |
| 4 | Telugu director born in Masulipatnam, AP. |
| 5 | Early work on Telugu stage in National |
| 6 | Theatres troupe which staged mythologicals, |
| 7 | including Bhakta Markandeya, the subject of |
| 8 | his first film. Introduced to films by Pinapala |
| 9 | Venkatadasu, founder of Vel Pics Studio. |
| 10 | Worked as assistant and later as film editor in |
| 11 | brother Chitrapu Narasimha Rao’s films. First |
| 12 | break with G. Balaramaiah’s Kubera Studio |
| 13 | (1938), but made best-known films at |
| 14 | Shobhanachala Studio until mid-40s as the |
| 15 | studio’s top director of Burrakatha-inspired |
| 16 | folklore movies. Attempted independent |
| 17 | production with Venkatramana Pics (1944). By |
| 18 | early 50s had moved largely into the more |
| 19 | lucrative Tamil industry where, in addition to |
| 20 | freelancing for smaller producers, he worked at |
| 21 | AVM which produced his last film, a Telugu- |
| 22 | Tamil remake of his 1942 hit Bhakta Prahlada. |
| 23 | |
| 24 | |
| 25 | '''FILMOGRAPHY:''' 1938: Markandeya; 1940: |
| 26 | Mahiravana; 1941: Dakshayagnam; 1942: |
| 27 | Bhakta Prahlada; 1944: Bhakta Kabir; |
| 28 | Bhishma; Samsara Naradi; 1947: Brahma |
| 29 | Ratham; 1948: Madalasa; 1949: Brahma |
| 30 | Ratham; 1952: En Thangai; 1953: Naa |
| 31 | Chellelu; 1954: Ethirparadathu; 1956: |
| 32 | Nagula Chaviti/Adarshasati; Naga Panchami; |
| 33 | 1957: Pathni Daivam; 1958: Manamalai; |
| 34 | Annaiyin Aanai; Naan Valartha Thangai; |
| 35 | 1959: Daivame Thunai; 1960: Bhakta |
| 36 | Shabari; 1961: Krishna Kuchela; Tallichina |
| 37 | Ajna; 1963: Chittor Rani Padmini; 1964: |
| 38 | Pativrata; 1967: Bhakta Prahlada |