| 1 | '''Chirai''' |
| 2 | |
| 3 | |
| 4 | aka Sirai |
| 5 | 1984 143’ col Tamil |
| 6 | d/sc/dial R.C. Sakthi pc Ananthi Films p Mohan |
| 7 | st Anuradha Ramanan lyr Pulamai Pithan, |
| 8 | Muthulingam, Piraichoodan c Vishwam Nataraj |
| 9 | m M.S. Vishwanathan |
| 10 | lp Rajesh, Prasanna, Pandian, Laxmi, Ilavarasi, |
| 11 | S.S. Chandran, A. Shakuntala, S.N. Parvathi |
| 12 | |
| 13 | |
| 14 | The drunken landlord Anthony (Rajesh) rapes |
| 15 | Bhagirathi (Lakshmi), wife of the village |
| 16 | Brahmin priest. When her husband (Prasanna) |
| 17 | rejects her, encouraged by a kindly policeman |
| 18 | she moves in with her rapist and eventually |
| 19 | develops an attachment to him. When he dies |
| 20 | she prefers to be known as the man’s widow |
| 21 | and refuses to rejoin her husband. A parallel |
| 22 | story has a farm-worker (Pandian) courting a |
| 23 | local politician’s daughter (Elavarasi), |
| 24 | providing an opportunity to show the corrupt |
| 25 | relationships between politicians and police. |
| 26 | The story’s impact is diluted by gross comedy, |
| 27 | cabarets, and a fight sequence inserted for boxoffice |
| 28 | reasons. Laxmi gives an accomplished |
| 29 | repeat performance of a rape victim (cf. Sila |
| 30 | Nerangalil Sila Manithargal, 1976). The film |
| 31 | upset Brahmin organisations, which |
| 32 | campaigned against it. |
| 33 | |
| 34 | [[Film]] |